Posted on January 10, 2010February 7, 2024 by Dale Phillips Letter: Remembering Robert Bouchet Letter: Remembering Robert Bouchet by Philippe Refig Originally published in American Lutherie #71, 2002 Dear Sirs, Coming back to Europe in 1973 from America where I had been working for some years, I had the nasty surprise of opening my guitar case in Paris, to find my Contreras flamenco guitar broken. One of the components of the heel had become unstuck. Cracks were wide open on the ribs on each side of the neck. In those times I used to keep my guitar with me in the cabin without having to pay for an extra seat. But that day they took my guitar just before boarding and put in the hold. I thought I was prepared for all eventualities: I had made a rain cover for the case and put polyurethane under it. I had pieces of foam in strategic places inside the case to keep the guitar steady. Well, apparently that was not enough. I was pretty sad when I saw the damage. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 9, 2010February 8, 2024 by Dale Phillips Letter: Remembering José Rubio Letter: Remembering José Rubio by Keith Watson Previously published in American Lutherie #79, 2004 Dear Sir or Madam, AL#65 was recently passed on to me by Jack Spira of Melbourne, a builder of guitars and related instruments. For several years I had been attempting to find the whereabouts of David Spinks (aka José Rubio) in order to renew a friendship that we had in London in the mid-’50s. I had come to London from the north to study flamenco and wood carving and had started my classical guitar tuition in with Alexis Chesnicov. I then went to Paco Juanos who gave lessons in Hampstead at a coffee house called El Serrano. It was there I met David. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 7, 2010March 7, 2024 by Dale Phillips Review: Classic Gutiar Making by Arthur E. Overholtzer Review: Classic Gutiar Making by Arthur E. Overholtzer Reviewed by Robert S. Anderson Originally published in Guild of American Luthiers Newsletter, Volume 2 #3, 1974 Classic Guitar Making Arthur E. Overholtzer $13.00 Published by: Lawrence A Brock 1929 Mangrove Ave. Chico, California 95926 This book is a comprehensive work of the classic guitar. It is a large book, 8 1/2"×11" with over 300 pages, well illustrated, with more than 300 drawings and pictures. Beginning with the selection of the proper wood, to the application of a mirror-like finish, it is quite complete. It also tells how to do many things with different methods; by hand, with a router and jig, etc. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Julian Bream: A Life on the Road by Tony Palmer Review: Julian Bream: A Life on the Road by Tony Palmer Reviewed by Gila Eban Originally published in American Lutherie #5, 1986 and Big Red Book of American Lutherie Volume One, 2000 Julian Bream: A Life on the Road Tony Palmer McDonald & Co., 1982 Out of print (1999) Most of the material for this book was gathered while its author, along with photographer Daniel Meadows, traveled with Julian Bream on one of his tours. Although there is no chronological “plot,” the book is packed with “action”: Being stuck after a concert, in an unfamiliar “sleazy part of town” in Italy, or in an unpredictable snowstorm on America’s East Coast; guitars cracking after passage through the Alps; choosing to play a concert in a remote part of India, only to find out that the local inhabitants are accustomed to concerts of Indian music, which last twice as long as the standard classical music concert in the West! In order to prevent a riot, Bream has to play every piece he can possibly remember. In South America or at a quiet chapel in the English countryside, there is always an element of the unexpected, provided by an angry dictator’s wife or a nearby artillery firing-range. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Guitar and Vihuela: An Annotated Bibliography by Meredith Alice McCutcheon Review: Guitar and Vihuela: An Annotated Bibliography by Meredith Alice McCutcheon Reviewed by Joseph R. Johnson Originally published in American Lutherie #9, 1987 and Big Red Book of American Lutherie Volume One, 2000 Guitar and Vihuela: An Annotated Bibliography Meredith Alice McCutcheon Pendragon Press, 1985 $64 from amazon.com In 1978 David B. Lyons published his book, Lute, Vihuela, Guitar to 1800: A Bibliography (Detroit Studies in Music Bibliography, 1978). Although the vihuela and guitar were included, the bulk of his information concerned the lute. There was not enough material in the book to satisfy the ever-growing need for information about the early guitar and vihuela. In 1980 James Tyler’s book, The Early Guitar: A History and Handbook, (London: Oxford University Press, 1980), was published, and it too only partially satisfied the need. What was needed was a bibliography that dealt specifically with the guitar and the vihuela. Ms. McCutcheon’s annotated bibliography is an attempt to fill that need. In her words, the bibliography “is intended to fill the need for an annotated reference tool for the study of the guitar and vihuela. It contains literature on composers, performers, theorists, music and analysis, iconography, and design and construction in both an historical context and in a technical one.” Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
