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Review: Advanced Ukulele Building with Jay Lichty

Review: Advanced Ukulele Building with Jay Lichty

by John Calkin

Originally published in American Lutherie #142, 2021



Advanced Ukulele Building with Jay Lichty
Robert O’Brien
Video instruction
Download from Obrienguitars.com, $277

I have loved books all my life, but when I began having worrisome visions of my house tipping toward the side containing my library I decided to make a change. As I began to shed books, it became easier to do. Most of my lutherie books disappeared via eBay and I have not missed them.

Early on I became a fan of video instruction. But videotape was not especially convenient when it came to finding specific information. DVDs were a huge step forward, but then came the automatic download. YouTube provided a world of free instruction, but too often it was unsatisfying and of doubtful veracity. Nothing beats expert instruction that is professionally recorded and expertly edited. It doesn’t come cheap, but I have never minded investing in quality education.

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Review: José Luis Romanillos Guitars, The Guijosa Period, 1993-2015

Review: José Luis Romanillos Guitars, The Guijosa Period, 1993-2015

by Mónica Esparza

Originally published in American Lutherie #142, 2021



José Luis Romanillos Guitars, The Guijosa Period, 1993–2015
Josep Melo i Valls
ISBN 978-84-09-14184-5
Barcelona: Spain, MeloGuitars Editions, 2020
Standard edition: €350. Signed deluxe edition: €700
Available from editions.Meloguitars.com

After twenty-five years in the making, José Luis Romanillos Guitars, The Guijosa Period, 1993–2015 is now available. It is an outstanding work in its visual beauty as well as the depth of explicitly detailed information presented both in photos and verbally in Spanish and English. The large book/box set (39CM H × 29CM W × 9CM T total) includes a substantial book with foldouts, plus an attractive box that contains twenty-five folded photographs of the full-scale front and back views of each instrument. Twenty guitars, four vihuelas, and one rebec are presented as well as an additional foldout that shows full-scale top and back bracing patterns and neck and fingerboard profiles from Romanillos’ Torres and Hauser models.

I got involved with this project in 2011 when the author, Josep Melo, a notable instrument maker and a personal friend, called me from his shop in Barcelona. He wanted to visit California to photograph and study in great detail a guitar built by José Romanillos for Pepe Romero. Josep said that he was going to write a book about the guitars that José Romanillos built after he moved back to his native Spain from England. He asked me to contact the Romero family to try to get an appointment to see Pepe’s 1993 “La Compañera,” the first guitar José completed after his return to Spain. Needless to say, that was quite a favor to ask. He had a lot of confidence that I would be able to just pick up the phone and make this happen. Well, I did.

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Review: Hanging Tree Guitars

Review: Hanging Tree Guitars

by John Littel

Originally published in American Lutherie #142, 2021



Hanging Tree Guitars
Freeman Vines, with Zoe Van Buren
Photographs by Timothy Duffy
Published by the Bitter Southerner, ISBN 978-0-578-62403-7
in association with Music Maker Relief Foundation

“Why am I making all these guitars? Well, they kind of make me happy to tell you the truth.” — Freeman Vines

To make good sense of this special book, the first frame is through craft. Freeman Vines is a guitar maker, has been for almost five decades. Hanging Tree Guitars is his story, told through snippets of interviews with him presented in an ethnopoetic format that unfolds quietly and powerfully. The narrative, edited by Zoe Van Buren, and the book’s design reach their creative goal with the remarkable and very well-crafted black-and-white photographs of Vines and his guitars by Timothy Duffy. The book’s narrative, Vines’ guitars, and Duffy’s photographs supplement each other in a unique artistic achievement that is meditative, historic, and well wrought.

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Review: The Diary of Agustin Barrios Mangoré: His Concert Autograph Book by Richard Pinnell and Frederick Sheppard

Review: The Diary of Agustin Barrios Mangoré: His Concert Autograph Book by Richard Pinnell and Frederick Sheppard

by Bryan Johanson

Originally published in American Lutherie #143, 2021



The Diary of Agustín Barrios Mangoré: His Concert Autograph Book (1932–1939, The Diplomatic Edition)
ISBN 978-8409213269
Richard Pinnell and Frederick Sheppard
Leon, Spain: Asociación CaminoArtes, 2018–2019

“Agustín Barrios was an entertainer, myth maker, brilliant conversationalist, and revered houseguest.” Frederick Sheppard. Soundboard magazine, October 2019

Classical guitarist and composer Agustín Pío Barrios was born in Paraguay in 1885 and died in El Salvador in 1944. With the exception of an extended holiday in Europe, Barrios spent his entire life traveling and performing in the countries of Central and South America. It is safe to say that Barrios’ music is greatly admired, performed, and taught by the current generation of classical guitarists.

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Review: Acquired of the Angels: The Lives and Works of Master Guitar Makers John D’Angelico and James L. D’Aquisto by Paul Schmidt, third edition

Review: Acquired of the Angels: The Lives and Works of Master Guitar Makers John D'Angelico and James L. D'Aquisto by Paul Schmidt, third edition

by Mike Doolin

Originally published in American Lutherie #143, 2021



Acquired of the Angels: The Lives and Works of Master Guitar Makers John D’Angelico and James L. D’Aquisto, Third Edition
Paul Schmidt
ISBN 978-0692165515
DHR Publishing, 2018

Paul Schmidt’s Acquired of the Angels was a landmark book when it first appeared in 1991. Schmidt’s research yielded an enlightening portrait of two of the most influential luthiers of the 20th century, whose work largely defined the ideal form of the archtop guitar. Since the 1998 second edition was insightfully reviewed by Linda Manzer in 1999, (AL#59, Big Red Book of American Lutherie Volume Five) I’ll mostly focus on the differences in the latest, third edition.

The biggest change from second to third edition, and maybe the best reason to purchase the latter, is the physical format. The new edition is nearly double the size, more of a coffee-table-book format, and the photos benefit greatly from the expanded real estate. In particular, Josh McClure’s studio shots dazzle with detail, color, and lighting. Closeups of tailpieces and headstocks show the maker’s meticulous attention to detail. The cover photo on the paper jacket will catch most people’s eye as the low E string of the guitar has shifted out of its notch in the saddle. Be sure to read the Unofficial Official Photography Artist section to read the humorous story behind that error.

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