Posted on August 11, 2021March 5, 2024 by Dale Phillips The Travielo The Travielo by Ernest Nussbaum Originally published in American Lutherie #5, 1986 and Big Red Book of American Lutherie Volume One, 2000 Cellists who want to travel with their instruments have a problem: on air trips they must purchase a seat for the cello or take the risk of having it damaged if checked into the baggage compartment, and in most cars it won’t fit into the trunk and thus takes up at least one passenger seat. In other words, it’s too big. For professional cellists traveling to a playing engagement, the purchase of a plane seat is a necessity which at least constitutes a deductible business expense. For symphony musicians on tour there is no problem at all because orchestras have provision for safe shipping of the larger instruments. But for the cellist who would like to practice during a vacation trip or play chamber music with friends at the other end, the expense and bother of taking the cello along often result in its getting left behind. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 11, 2010February 7, 2024 by Dale Phillips Letter: Violin String Tension Letter: Violin String Tension by Ernest Nussbaum Originally published in American Lutherie #9, 1987 Dear Tim: I’d like to point out that the article “Fiddle Facts” contains at least two non-facts. 1) The author says that raising the pitch of a violin’s “A” string to 442 (presumably from 440) is an increase of 0.05%. Wrong: it’s 0.5%. 2) More serious: He says that string tension is thereby increased by 10%. He should have said 1%. (Raising the frequency increases tension according to the square of the raise, i.e., (442/440)2 which is 1.009 or about 1.01 — therefore 1% higher. Maybe it’s bad for old violins to replace gut strings with steel. On ’cellos it seems to do no harm in most cases.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Selected Articles from VSA Journal Review: Selected Articles from VSA Journal Reviewed by Ernest Nussbaum Originally published in American Lutherie #11, 1987 and Big Red Book of American Lutherie Volume One, 2000 Review: Selected Articles from VSA Journal Violin Society of America 48 Academy St., Poughkeepsie, NY 12601 Vol. VII No. 3. (All the articles in this issue were originally presented as papers at the VSA’s Tenth Annual Convention in November 1982, and include discussion based on questions from the audience.) Peggy Shipman: “Retouching: Methods and Materials.” Ms. Shipman’s paper mentions the use of water color; choosing the right wood for repairs and possible heat treatment for same, types of stains, color theory, the use of oil vs. alcohol varnish, pigments and coloring materials, and brush types. Herbert A. Wilson: “Space Age Technology for the Violin World.” Mr. Wilson manufactures an abrasive called “Micro-Mesh” which can be used for producing an ultra-fine finish on many surfaces including those of musical instruments. (The material is also sold on a foam backing under the name “Polysand.”) The paper deals with where, when, and how to use this material, how it acts on a surface, and how its action differs from that of other abrasives/polishing agents. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
