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Letter: Defending Larry Sandberg’s Book

Letter: Defending Larry Sandberg’s Book

by Harry Fleishman

Originally published in American Lutherie #67, 2001

 

Dear Guild,

Benjamin Hoff takes what seems like a pretty severe dislike to my friend Larry Sandberg’s book, The Acoustic Guitar Guide, from its title, to its tone, to its content. What many have enjoyed, the folksy tone Larry takes, offends Hoff. He’s certainly entitled to dislike it. However, he seems intent on nitpicking as a way of discrediting the author and his work. He quotes Sandberg and brackets “sic” after “epitome” as though the word or idea were used incorrectly, and he knew better. But the word and idea are correct as a quick glance at a dictionary will show. He objects to a brief history, but this is not a history book. He objects that Sandberg writes, “the steel-strung flattop is probably the kind of guitar you want. It’s the kind of guitar most people want.” Of course Sandberg is not psychic, but even a quick look at any store that sells guitars will show this to be true. The sales of steel-strung to nylon, or to any other kind is about ten to one. I think the problem is that Hoff doesn’t agree. He is entitled to that opinion, too. However, he neglects to write that in his discussion of classical guitars, Sandberg explains why one would or would not want a nylon strung guitar, who uses them, and what they do and don’t provide musically. I think that is sufficient. Hoff writes that the chapter about flattop guitars should be designated “factory” guitars. Yet, Sandberg writes separately about custom and handbuilt guitars. (Full disclosure: Two of my guitars are on the cover of this book and I’m very proud of that. Also, as a friend of Larry’s and a sometime author, I know the depth of his knowledge as well as the limitations, constraints, and hype-oriented zeal of the publishing world.) Certainly, the subtitle is a bit over the top. That’s publishing, folks. No book could be everything to all people and Hoff’s right: the subtitle shouldn’t say it can. That said, I think this one does what it purports: it guides potential players towards a guitar and helps guitar owners to maintain their instruments. As a reviewer myself I would not wish to see Hoff or anyone else censored in their reviews, nor to see only positive reviews. Sandberg’s book has received many other positive reviews. I disagree with Hoff’s assessment and wanted to add my voice to that discussion. ◆

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A Posthumous Interview with Seymour Drugan

A Posthumous Interview with Seymour Drugan by Harry Fleishman Originally published in American Lutherie #151, 2024   Mr. Drugan, it is an honor and a pleasure to see you again and get to talk with you. You were so important in…. Nice to see you again. That was a long time ago, wasn’t it, more […]

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Questions: Amplifying Flattop Bass

Questions: Amplifying Flattop Bass

by Harry Fleishman

Originally published in American Lutherie #65, 2001 and Big Red Book of American Lutherie Volume Six, 2013



Mark Brantley of Appleton, Minnesota asks:

I recently ordered Tim Olsen’s plans for the Flattop Bass (GAL Plan #13). Do you have any advice on a good electric pickup for it?


Harry Fleishman of Boulder, Colorado responds:

It’s difficult to offer too much advice about amplifying your acoustic bass without more input about how loud you need to play, how high a fidelity to the instrument’s actual acoustic voice you want, and what your budget is; but here goes anyway.

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In Memoriam: Ken Goodwin

In Memoriam: Ken Goodwin

1948 – 2013

by Harry Fleishman

Originally published in American Lutherie #117, 2014

One of my oldest friends in the lutherie community died recently. Kenny Goodwin, a Guild member when he could afford it, and a one-time convention attendee, died suddenly in August of leukemia.

He and I met in the early ’70s when he came in to my first shop to ask for help with a guitar he was making. He and I became close friends and mutual advisors and ignorers. We gave and received advice from each other for decades about life, love, depression, acoustics, coffee, Chinese food, and hot water. We even took that advice sometimes. We spent hours turning to prunes as we bounced ideas back and forth while soaking in the Boulder Rec Center hot tub. He was the best person I’ve ever known for providing a sounding board for concepts about pickups, guitars, basses, and processes.

Ken Goodwin (center) with Bob Benedetto (left) and Harry Fleishman at the 2001 GAL Convention in Tacoma. Photo by John Leach.

Kenny was also a very fine guitar player, described in a review in the Denver Post as a guitarist who could “make the guitar lovely.” And this was in punk bands! He was also a self-taught organist.

I believe Kenny only made one guitar, but he was a true luthier in spirit.

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Product Reviews: Dan Erlewine’s Don’t Fret video

Product Reviews: Dan Erlewine's Don't Fret video

by Harry Fleishman

Originally published in American Lutherie #34, 1993 and Big Red Book of American Lutherie Volume Three, 2004



Dan Erlewine’s Don’t Fret video and specialized tools
Stewart-MacDonald
www.stewmac.com

I will never forget my first fret job. It was a balmy spring evening; the jasmine were blooming. The year was 1964. We were alone in my bedroom, just me and my Strat. I was an anxious sixteen year old. She was a blonde, born in ’62.

This was nine years before I saw a copy of Irving Sloane’s groundbreaking book on repair, so when I decided to fix a few badly worn frets I was on my own. The worst wear was on the 2nd string, 1st fret and the 1st string, 3rd fret; the rest were still pretty good. Out came the soldering gun! No, I wasn’t planning to carefully remove the offending frets for replacement; I was going to fill the grooves with solder! I heated up the frets and flowed a bit of solder on. After they cooled, I smoothed them over with the file on my nail clipper. They looked great and I felt heroic. That is the proper technique, isn’t it? Nearly thirty years later, I know better. I should have used a soldering iron, not a gun. The gun could have demagnetized the pickups!

Become A Member to Continue Reading This Article

This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

If you are already a member, login for access or contact us to setup your account.