Posted on January 11, 2010May 19, 2025 by Dale Phillips Letter: Cleaning/Polishing of Violins Letter: Cleaning/Polishing of Violins by William T. Walls Originally published in American Lutherie #12, 1987 and Big Red Book of American Lutherie Volume One, 2000 Dear Guild Members, Reference is made to George Manno’s “Violin Q&A” regarding cleaning and polishing violins. I have been making, repairing, and restoring bowed instruments professionally for over fifty years and would like to offer my 2¢ worth. I strongly recommend that xylene and similar products for cleaning caked-on rosin be used with extreme caution, as some varnishes will dissolve or become tacky when wet with them. Test them in a small place in an area that will not be noticed if the varnish is susceptible to damage. If it appears that xylene is safe, rubbing with a cloth may require a lot of rubbing, and a lot of rubbing may damage the varnish. I have found the following to be completely safe, effective, and fast for any instrument regardless of how bad the rosin build-up is. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 11, 2010May 23, 2025 by Dale Phillips Letter: Thoughts on Bow Hairing Letter: Thoughts on Bow Hairing by Dale Randall Originally published in American Lutherie #92, 2007 Dear Tim: American Lutherie #91 is one of the best in years. Lots of good, useful, informative articles with great pictures. I especially liked the one on rehairing bows. I’m seventy-one and have been into lutherie for forty years. Rehairing can go like clockwork or drive you to drink. I must take exception with a few of Paul Hill’s methods. He is not the first to recommend starting at the tip and working toward the frog, but this is contrary to what I have learned. The hardest work the bow hair does is nearest to the frog end, therefore the thicker base end of the hair should be on that end. I have read that the finest violinists want the hair mixed end for end so half is in one direction and half in the other, assuming that hair takes rosin better in one direction. I also believe that one should never use hardwood for plugs and never use any glue on either end plug or wedge. I do use Paul’s method of tying and supergluing the hair to keep it together. I give mine a squeeze with opened-up pliers to make it sort of flat before it sets up, and dip the end in a little baking soda to speed the hardening. This is not to criticize Paul’s methods but to try to clear up the concept of which way the hair should be mounted. I like the way Paul shared his procedure with words and pictures.
Posted on January 6, 2010May 19, 2025 by Dale Phillips Review: Selected Articles from VSA Journal Review: Selected Articles from VSA Journal Reviewed by Ernest Nussbaum Originally published in American Lutherie #11, 1987 and Big Red Book of American Lutherie Volume One, 2000 Review: Selected Articles from VSA Journal Violin Society of America 48 Academy St., Poughkeepsie, NY 12601 Vol. VII No. 3. (All the articles in this issue were originally presented as papers at the VSA’s Tenth Annual Convention in November 1982, and include discussion based on questions from the audience.) Peggy Shipman: “Retouching: Methods and Materials.” Ms. Shipman’s paper mentions the use of water color; choosing the right wood for repairs and possible heat treatment for same, types of stains, color theory, the use of oil vs. alcohol varnish, pigments and coloring materials, and brush types. Herbert A. Wilson: “Space Age Technology for the Violin World.” Mr. Wilson manufactures an abrasive called “Micro-Mesh” which can be used for producing an ultra-fine finish on many surfaces including those of musical instruments. (The material is also sold on a foam backing under the name “Polysand.”) The paper deals with where, when, and how to use this material, how it acts on a surface, and how its action differs from that of other abrasives/polishing agents. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010May 20, 2025 by Dale Phillips Review: Appraisers Reference Manual of Authentic String Instruments and Bows by Thomas E. Florence Review: Appraisers Reference Manual of Authentic String Instruments and Bows by Thomas E. Florence Reviewed by George J. Manno Originally published in American Lutherie #11, 1987 and Big Red Book of American Lutherie Volume One, 2000 Appraisers Reference Manual of Authentic String Instruments and Bows Thomas E. Florence M & M Distributing Company 2465 South Industrial Highway, Ann Arbor, MI 48106 $175, and $30 for yearly supplements The author’s death has put the continuation of this book in doubt (1999). If there is one book that will be useful to any violin shop or maker who does appraising, this is it! Thomas Florence has compiled a complete sectional directory of authentic violins, violin bows, violas, viola bows, cellos, and cello bows that have been sold in the major auction houses in the United States and England since 1980. Each section is in alphabetical order according to the maker for easy reference. Every entry informs the reader of the catalog lot number, type of instrument, maker’s name, year the instrument was made, selling price (in U.S. dollars), date of sale, and what auction house sold the instrument. The manual can also be used as a price guide for collectors. Yearly supplements will include information concerning that year’s past winter, spring, summer, and fall sales, keeping the manual current at all times. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010May 19, 2025 by Dale Phillips Review: How to Make a Violin Bow by Frank V. Henderson Review: How to Make a Violin Bow by Frank V. Henderson Reviewed by David Riggs Originally published in American Lutherie #25, 1991 and Big Red Book of American Lutherie Volume Three, 2004 How to Make a Violin Bow Frank V. Henderson Murray Publishing Co., 1977 LCCN 77375025 This may be the most useful “how-to” book you will read on any lutherie topic. If you ever wanted to make a bow; if you like clear, concise directions on toolmaking, sharpening, workbenches, investment casting, the use of machine tools in woodworking, or a good many other topics of immediate concern to those working with instruments; if you can appreciate an easily read treatment of an interesting topic which will be clear to readers with little or no lutherie experience, this book will bang your gong! The author makes no pretense that his book will fit a craftsman to make his or her living as a bow maker. It does, however, actually show you that to make a very credible violin bow does not require supernatural skill or secret knowledge, a pleasant surprise if you have read other books on the subject which seem to actually discourage you from the undertaking. This is not a subject about which a ton is in print. Not that you need a ton if you have this 182-page illustrated volume. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
