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Review: Violin Set-Ups and Adjustments by Dan Erlewine and Paul Newson

Review: Violin Set-Ups and Adjustments by Dan Erlewine with Paul Newson

Reviewed by George Manno

Originally published in American Lutherie #11, 1987 and Big Red Book of American Lutherie Volume One, 2000



Violin Set-Ups and Adjustments
Dan Erlewine with Paul Newson
VHS videotape (90 minutes)
Stewart-MacDonald
$26.95 from Stewart-MacDonald (1999)

Teaching violin repairs from a television set! This first struck me as a most inane idea. My thoughts quickly changed after watching the first five minutes of this tape.

Paul Newson is a fine repairman, and with Dan Erlewine’s commentary, this tape on violin repair and adjustments is a very good shop aid for a young luthier just starting out.

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Review: How to Make a Violin Bow by Frank V. Henderson

Review: How to Make a Violin Bow by Frank V. Henderson

Reviewed by David Riggs

Originally published in American Lutherie #25, 1991 and Big Red Book of American Lutherie Volume Three, 2004



How to Make a Violin Bow
Frank V. Henderson
Murray Publishing Co., 1977
LCCN 77375025

This may be the most useful “how-to” book you will read on any lutherie topic. If you ever wanted to make a bow; if you like clear, concise directions on toolmaking, sharpening, workbenches, investment casting, the use of machine tools in woodworking, or a good many other topics of immediate concern to those working with instruments; if you can appreciate an easily read treatment of an interesting topic which will be clear to readers with little or no lutherie experience, this book will bang your gong!

The author makes no pretense that his book will fit a craftsman to make his or her living as a bow maker. It does, however, actually show you that to make a very credible violin bow does not require supernatural skill or secret knowledge, a pleasant surprise if you have read other books on the subject which seem to actually discourage you from the undertaking. This is not a subject about which a ton is in print. Not that you need a ton if you have this 182-page illustrated volume.

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Review: Italian Violin Varnishes by George Fry

Review: Italian Violin Varnishes by George Fry

Reviewed by George Manno

Originally published in American Lutherie #7, 1986 and Big Red Book of American Lutherie Volume One, 2000



Italian Violin Varnishes
George Fry
Virtuoso Publishers, 1981
Out of print (1999)

Any book on making violin varnish, I buy. Halfway through most, I find my money would have been better spent elsewhere. Not so with this well-written conglomeration of facts, recipes, and chemical analyses.

A novice with a little experience in varnish making will be able to understand Mr. Fry’s sometimes complex theories. Mr. Fry goes into great detail explaining each and every experiment he made to obtain color, transparency, and consistency of the varnish he thought to be used 250 years ago by the great Italian masters. Unfortunately, some of the materials used in Fry’s experiments are more scarce now than when the book was first published in 1901.

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Review: The Technique of Violin Making by H.S. Wake

Review: The Technique of Violin Making by H.S. Wake

Reviewed by Frederick Battershell

Originally published in American Lutherie #3, 1985 and Big Red Book of American Lutherie Volume One, 2000



The Technique of Violin Making
H.S. Wake
published by H. S. Wake, 1973
$23 from Stewart-MacDonald (1999)

The good news about privately-published books is they make hitherto obscure information available to the public. The bad news is these privately-published books are seldom reviewed, and as a result of this lack of constructive criticism, are apt to be poorly written. The author may be more intent on presenting his point of view than with enabling his readers to understand what he is trying to say. The Technique of Violin Making has some of these faults.

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Review: Violin Rehairing with Roger Foster

Review: Violin Rehairing with Roger Foster by Ronald Louis Fernández

Reviewed by Ken Altman

Originally published in American Lutherie #100, 2009



Violin Rehairing with Roger Foster
Filmed and presented by Ronald Louis Fernández
DVD, 53 minutes
$59.95 from Fernández Music
Box 5153, Irvine, CA 92616
www.fernandezmusic.com

Bow rehairing is a bread-and-butter job for shops that do work on instruments of the violin family. Professional players may have their bows rehaired twice a year, and even casual players may need to get new hair every year or two. It’s work that can be tedious and that must be done with care in order to do a good job and to avoid damaging delicate bows. I have quite a few bows come through my shop each week for rehairing and repairs, and unfortunately far too many of them have been damaged by careless, unskilled, and untrained workers. Educational materials that would impart knowledge about the craft of bow rehairing might just save a few bows from premature demise.

The cover of the DVD case for Violin Bow Rehairing with Roger Foster carries the byline, “This DVD shows how a professional violin and bowmaker rehairs a bow in his shop,” and the video does indeed deliver on that promise. We get to watch the whole process from beginning to end, with Mr. Foster offering comments and explanations along the way. He starts by inspecting a bow for any damage that may need attention, and then proceeds to take the bow apart, clean the various parts, and prepare the bow for receiving new hair. There follows a long sequence showing how the wooden plugs for holding the hair in the frog and tip mortises are made, a critical step in doing a rehair. I thought it was good that he showed this process in real time, conveying the attention to detail necessary to insure that the plugs fit properly. There are cutaway views of a bow tip and frog, which illustrate clearly how the plugs should fit. From there he goes through the steps of selecting the hair, tying the ends, securing the hair in the tip and frog, fitting a spreader wedge, and taking care of the finishing touches. Through each of these steps he stresses the importance of working conscientiously, taking care not to damage the bow. I found this very commendable.

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