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Questions: Nut Width

Questions: Nut Width

by Bob Pittman

Originally published in American Lutherie #102, 2010

 

Rand Nooteboom from Haiku, Hawaii asks:

Nut width varies from one instrument to the next and so does placement of the outside strings. What is the most reliable method of evenly spacing the remaining strings? Not just marking placement, but also accurately cutting the slots.


Bob Pittman from Brookline, Massachusetts
responds:

For marking the spacing, I use the Stew Mac string spacing ruler (www.stewmac.com/shop/Tools/Measuring_tools/String_Spacing_Rule.html) and a .7MM pencil. The pencil is very fine and fits in the spacing ruler slots. The ruler does proportional spacing and I’ve never had a single customer complaint. I start with a nut cut square on all sides and sanded to 400 grit. I cut it to width and fit it into the nut slot. The outside strings are marked, then the nut is put in my nut vise, a Parrot vise with panels cut to 45° on the top edges so I can get at the nut. I mark the remaining slots with the string-spacing ruler and the pencil. With a 3" machinist’s square, I butt the edge up to the back of the nut next to a string mark. I use an X-acto saw and mark the top of the nut on top of the string line. (I think a Japanese-style saw would be perfect for this since it cuts on the back stroke, but I haven’t gotten around to buying one small enough.) I make sure the saw is perpendicular to the nut and flush against the square. With very light pressure, the slots are cut about 1mm deep. I put the nut back in the guitar, and nut files are used to finish off the slots. After that, I remove the nut, shape it on my sander, polish it with Micro-mesh up to 12,000, put it back on the guitar, and the guitar is ready to string up. ◆

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It Worked for Me: Low Cost Emergency Lathe

It Worked for Me: Low Cost Emergency Lathe

by Gerhart Schmeltekopf

Originally published in American Lutherie #29, 1992 and Big Red Book of American Lutherie Volume Three, 2004



Most luthiers probably don’t have wood lathes, so I submit this low-cost, emergency lathe setup for the times you might want to make a music stand, washtub bass, or baseball bat for the local luthiers’ picnic.

I bought commercial turnings to make a student harpsichord stand. They were “sanded and ready to finish,” so I knew that they would need to be sanded before finishing. They are too long for my lathe, so I rigged this temporary reciprocating or “pole” lathe to spin them and sand them.

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Questions: Unified Repair Pricing

Questions: Unified Repair Pricing

Originally published in American Lutherie #25, 1991



John Kitakis from Hendersonville, NC writes:

I’ve enjoyed toying with the idea of unified repair pricing throughout North America. To me, it seems unprofessional to have a wide variety of charges for the same repair. I suppose everyone has different needs and wants, and overheads vary, so this “discrepancy” may never be resolved. The repairman down the road (who says he doesn’t need much) will continue to charge $100 for a fret job, and $20 to reglue the bridge. I continue to have plenty of business, so I’ll continue to charge more. Below is a list of a few prices. My complete list is available upon request.

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Letter: Making a Living as a Luthier

Letter: Making a Living as a Luthier

by Bob Benedetto

Originally published in American Lutherie #3, 1985 and Big Red Book of American Lutherie, Volume One, 2000



Dear GAL Staff and Members,

I have been a Guild member for about ten years and always felt it to be a very worthwhile organization. No doubt, it is the single most important thing that has ever happened to our fine craft. Guild members have, by means of the Quarterly, supplied me with invaluable information and continue to do so.

I would like to touch upon a point that concerns us all: making a living as a luthier. It’s a subject we all like to discuss at times and, of course, must concern ourselves with. I have had the pleasure of meeting many makers, repairpeople, and restorers over the years. Some make money and some don’t. Why do some of us succeed while others fail? The reasons I have found to be both consistent and predictable.

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This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

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Letter: Gourd Seeds

Letter: Gourd Seeds

by Tony Pizzo

Originally published in American Lutherie #2, 1985



Yo Tim, Deb and Bonnie!

American Lutherie looks great! You join a select group of survivors with this latest move.

I’m going to (against my better judgement) try growing some gourds under plastic up here, but I don’t expect much, so no data sheet. But I’ve got a list of gourds and gourd seed for sale from The Gourd (February issue) magazine which may be of use to beleaguered luthiers.

It may be easiest for people looking for gourds to contact Charlie Cannon as he’s already set up to sell them. Of course people who can get to the Ohio Fair can pick up gourds at the Gourd Show there — shipping can be a headache for growers. This is the best I’ve been able to come up with in this department. Very hard to get them on the east coast. (American Gourd Society, Box 274, Mt. Gilead, OH 43338 and Charlie Cannon, Rt. 1, Box 49, Hobgood, NC 27843)

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This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

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