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Letter: Poplar in Dan Electro Necks

Letter: Poplar in Dan Electro Necks

by Ron Lira

Originally published in American Lutherie #20, 1989

 

Dear Guild Staff,

I’m still alive and working too hard and reading your magazine!

I believe there is an error in the identification of the wood used in Danelectro necks and current production solid body electric guitars in Bruce Harvie’s “Stalking Northwest Tonewoods” in AL#18. Lombardy Poplar (Populus nigra) is a member of the cottonwood family in which many members and their lumber are called poplar. The poplar used in the Danelectros and currently in use in many factories is yellow poplar (Liriodendron tulipifera.) The cottonwood family of woods has a rancid smell when being worked, mostly all cream colored to white wood, and warps and checks horribly in drying. (I know, I’ve cut and dried some cottonwood and Lombardy poplar.) The yellow poplar has a mostly cream to gray colored sapwood with a green tinted heartwood. It works easily, dries easily, has a pleasant smell, is inexpensive to buy, available in wide and long pieces and makes an ideal paint grade wood. I’ve seen it in Danelectro necks, Jackson electrics, Fender electrics (inexpensive old ones and any of the newer domestic and imported), Charvel electrics, and many imported instruments both high and low quality. Various types of cottonwood trees including aspens grow over much of the US. Yellow poplar grows only in the eastern half of the US with its most commercial areas in the east.

Thank you ◆

 

Editor’s Note: Bruce Harvie agrees, the wood used in the Danelectro necks is yellow poplar. However, it is Lombardy poplar that he wants for fiddle making. He also mentions that Danelectro necks break very easily, and that he wishes to purchase some. Got any, Ron?

The yellow poplar in question is the wood of the tulip tree, an enormous thing with distinctive four-lobed leaves, which happens to be the state tree of Indiana. Don’t confuse it with the magnolia tree, whose flowers closely resemble tulips.

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Questions: Mystery Guitar

Questions: Mystery Guitar

by Walter Carter

Originally published in American Lutherie #99, 2009

 

Neill Pickard asks:

Any idea who made this parlor guitar? It has a poplar top and no label.

Both photos by Neill Pickard
Carter-ques-al99-02

Walter Carter from Gruhn Guitars in Nashville, Tennessee replies:

The “usual suspect” for any sort of inexpensive, unlabeled instrument from the 1920s and ’30s is Regal of Chicago. In the case of this instrument, the decal ornamentation suggests Regal or Oscar Schmidt of Jersey City, New Jersey. ◆

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Questions: Thickness Measuring Tool

Questions: Thickness Measuring Tool

by Tom Nelligan and R.M. Mottola

Originally published in American Lutherie #92, 2007



Georges E. Vougioukalakis from Athens, Greece asks:

In my experimentation and research on double-top guitar construction I find a need for an instrument that can measure the thickness of the outermost skin of the top on a fully assembled instrument without damaging the top. Does anyone know of such a tool? I remember a citation of an instrument that was used to measure the thickness of the paint in autos.


Tom Nelligan from Olympus NDT/Panametrics-NDT Products in Waltham, Massachusetts replies:

Commercial ultrasonic thickness gauges of the sort made by my company (and our competitors) for measurement of industrial engineering materials like metals, plastics, and ceramics will not work on wood, because wood does not efficiently transmit sound waves at ultrasonic frequencies in the MHz range. Pulse/echo ultrasonic gauging is based on very precisely measuring the round-trip transit time of a short pulse of very high frequency sound waves through the test piece. But the high frequency/short wavelength wave front is scattered by the microstructure of the wood, so it is not possible to get the necessary clean echo from the inner wall.

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Questions: Stringed Instrument Tone

Questions: Stringed Instrument Tone

by Cyndy Burton

Originally published in American Lutherie #82, 2005

 

Jason Kirby of cyberspace asks:

I'd love to start learning how to create stringed instruments with a gorgeous tone. What advice would you give a beginner who doesn't know the first thing?


Cyndy Burton of Portland, OR
responds:

This is still the number one question I get, and I bet lots of you get this one, too. I hope my brief answer is helpful.

Go to https://luth.org/about-us/frequently-asked-questions/. Your question is answered there a couple different ways.

My quick answer is that it depends on how you learn best, how quickly you want to learn, and how much time and money you have to invest. There are lots of books and videos available now that make it very possible to start on your own. Some people prefer to take a course, interact, be shown, have a teacher nearby. Schools are excellent for that, but, of course, have a bigger price tag. ◆

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Questions: Info on D’Angelico

Questions: Info on D'Angelico

by Linda Manzer and John Monteleone

Originally published in American Lutherie #96, 2008



John Langdon from the Internet asks:

I’m quite obsessed with D’Angelico and D’Aquisto guitars, and there are not many sources of info besides the GAL and the wonderful book Paul Schmidt wrote. Would you happen to know the maker of those elusive violin maker’s planes James D’Aquisto had? In one of the GAL books he said they were made by a company in Boston. Do you know if John D’Angelico used a jointer or a hand plane to join his plates? I’m also trying to find out more about the nitrocellulose finish D’Aquisto used. I’m curious if his finishes were alcohol based or not. Do you know if he had any preference for any specific brand of finish or colors?


Linda Manzer from Toronto, Canada responds:

I used the hand planes in question when I worked in D’Aquisto’s shop in 1983. I made copies of those planes for myself and sold a limited number of them a few years back as well. I plan to resume making them in the near future. They are fantastic.

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This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

If you are already a member, login for access or contact us to setup your account.