Posted on December 28, 2020March 6, 2024 by Dale Phillips Cutting Michigan Maple Cutting Michigan Maple by Elon Howe Originally published in American Lutherie #37, 1994 In 1983, I had the guts to try to repair my dad’s old fiddle. I reglued it, sanded it, sprayed on a varnish — it looked great. I was later advised that I had spoiled the fiddle by doing the wrong things. Later on, I bought a fiddle kit. It had the wood, a machine cut scroll, four ounces of varnish, and a half-pound of glue. About six months later I turned out my first fiddle and of course it sounded great. Dan Erlewine, who ran a shop north of us at that time, had to admit that it looked pretty fair. He later admitted he was afraid to see what I might turn out because he knew he would have to be honest. He seemed to be relieved that it didn’t look like a shoe box. At first, information was hard to come by. Finally, we found an address for Hammond Ashley. He recommended a book called The Techniques of Violin Making by Harry Wake. I got to meet Harry at the Arizona Violin Makers’ Association Competition in Tucson — he even bought some willow wood from me. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 28, 2020March 6, 2024 by Dale Phillips The Well-Unpublished Luthier The Well-Unpublished Luthier by William R. Cumpiano Originally published in American Lutherie #6, 1986 and Big Red Book of American Lutherie, Volume One, 2000 Gather around and listen to a strange tale; a saga of oppression and self-imprisonment and of unending, grueling effort; of frustrated expectations and missed opportunities. But it is a sad story with a happy ending. My story begins ten years ago when I, a budding young luthier, hired a booth in a large Northeastern crafts fair. It was the dawn of my career: I was green and I was anxious and I could not have known then that craft fairs are worthwhile for makers of multiples, such as ceramic pots and leather bags, but a waste of time for guitar makers. But I had to learn that for myself. Think of the exposure, I was told. Just think of the exposure... Yes, I was to learn. There I stood, an innocent with a hopeful smile on my face, my shiny wares hanging on a makeshift masonite wall behind me, each one of my little babies stamped with the mute evidence of all the care, sacrifice, and painful experience that had brought them into the world. “Wow!” a voice in the crowd exclaimed, “what are you asking for one of those?” Haltingly, I responded, a little tongue-tied: “Sev... six... five... five hundred and fifty dollars.” Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 28, 2020March 6, 2024 by Dale Phillips Quick Cuts: The Boujmaa Brothers’ Moroccan Lutherie Shop Quick Cuts The Boujmaa Brothers’ Moroccan Lutherie Shop by Bruce Calder Originally published in American Lutherie #82, 2005 While in Marrakech recently, my wife and I discovered the “Ensemble Artisanal,” a government-sponsored complex of shops located outside the medina in the Ville Nouvelle. Here you can watch artisans at work as well as buy their products. These range from carpet makers to makers of babouche (the typical Moroccan leather slippers) to jewelry makers to woodworkers of several types. It’s a great alternative to the heavy sales pressure to be found in the souks, and if you’re not the haggling type (an art form taken to its highest expression here in Morocco), so much the better — prices are fixed, and the things you buy are always of the best quality. Even better, the money goes directly to the artisans. It was a most pleasant surprise while in the Ensemble Artisanal to discover brothers Benaddi and Blad Boujmaa’s lutherie shop. Makers of both traditional Berber and Arabic instruments (“We make both, since we are half Berber and half Arabic, just like most Moroccans,” Blad told me), their atelier has been in its present location for about ten years. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 27, 2020March 6, 2024 by Dale Phillips Whence Tree Names Whence Tree Names by Nicholas Von Robison Originally published in American Lutherie #31, 1992 and Big Red Book of American Lutherie, Volume Three, 2004 What’s in a name?” cries Juliet; “that which we call a rose by any other name would smell as sweet.” Yet Shakespeare might admit that a rose is not less sweet because we know its name. The system of binomial nomenclature is one of the best inventions. It is effective; it is beautiful in its simplicity. A luthier in New York may talk of trees and wood to a luthier in Faroffistan with precision and mutual understanding. Centuries are tied together between us and the many careful observers hundreds of years ago who left good records in aristocratic Latin, when the common vernacular language was considered not to be a sufficient medium for such learning. To know the names of the forms of life is one of the keenest satisfactions; it brings us into relationship with our materials in another facet of our fascinating occupation. Every binomial has meaning; it is uniquely significant. Consider... Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 27, 2020March 6, 2024 by Dale Phillips A Primer on Botanical Pronounciation A Primer on Botanical Pronounciation by Nicholas Von Robison Originally published in American Lutherie #31, 1992 and Big Red Book of American Lutherie, Volume Three, 2004 Whenever luthiers sit down to talk wood, Latinized botanical names are neccesarily bandied about. When I was an undergraduate forestry student I witnessed a fistfight between two classmates who had a difference of opinion on how a certain botanical name should be pronounced, so to deter mayhem in the lutherie community, I offer the following rules and notes. The accent method of pronunciation is not my own, but that of the great American botanist Liberty Hyde Bailey, whose Hortus series of encyclopedic reference books paved the way for a standardized method of pronunciation by most authorities. His How Plants Get Their Names also gives accent pronunciations as well as the meaning of many generic and specific botanical names. Your local library probably has this along with Hortus Second; and if they are up to date, Hortus Third. Many other botanical and horticultural references have adapted his conventions. His simple chart of sounds: Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
