Posted on January 19, 2010September 11, 2025 by Dale Phillips It Worked for Me: Hardanger Fiddle Pegs It Worked for Me: Hardanger Fiddle Pegs by David Golber Originally published in American Lutherie #83, 2005 and Big Red Book of American Lutherie Volume Seven, 2015 I do a lot of work on Hardanger fiddles. One way in which these instruments differ from violins is the pegs. In the violin world, pegs are disposable. When they wear out, you replace them and throw away the old ones. But in a fine Hardanger fiddle, the pegs are decorated work of the maker of the instrument, and must not be thrown away. But what do you do when the old decorated pegs are severely worn? There must be other instruments and circumstances with similar problems, so maybe the question is interesting to more than the tiny circle of Hardanger fiddle aficionados. Here’s one method for putting new ebony shafts on old decorated pegs. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on January 19, 2010September 10, 2025 by Dale Phillips Questions: Clark Harp Value Questions: Clark Harp Value by Howard Bryan Originally published in American Lutherie #80, 2004 and Big Red Book of American Lutherie Volume Seven, 2015 Keith Davis of Iron River, Michigan asks: I have in my shop an old Clark harp, SN 2102. The owner wishes to know more about its value. The headblock has been reglued, and there are a number of small, inconsequential cracks in the soundboard, but it is otherwise in great shape and has its original stand. Howard Bryan of Lynchburg, Virginia answers: Clark Irish harps are cute, and they certainly filled a void when they were being built. They also had some neat design features, like the little collapsible stool that became an integral part of the instrument when needed. That said, there are far better harps being made today. The main problem with the Clarks is the sharping blades, which are not adjustable. With a new soundboard, intonation isn’t too bad, but as the harp matures the string lengths change and the blades are no longer in quite the correct place, so the harp plays out of tune with blades engaged. I recommend that active musicians buy a more modern instrument from one of the better makers, as opposed to spending big bucks reconditioning a Clark, but emotions are often a factor and we have repaired/restored several in the last couple of years. Typically most need the knee block and pillar/neck joint reglued. Since the original joints were doweled, it is usually a trick to get them completely apart. Many need new soundboards, which is an expensive repair. The originals were fine, but most are becoming unglued and many have split. They seem to sell for around $3000 if in really good shape, less if they need work. A Clark Irish needing neck/kneeblock/soundboard repairs can usually be had for under $500, but the cost of repairs needs to be added to the purchase price.
Posted on January 19, 2010September 10, 2025 by Dale Phillips Questions: Adjustable Truss Rods Questions: Adjustable Truss Rods by John Calkin Originally published in American Lutherie #74, 2003 and Big Red Book of American Lutherie Volume Seven, 2015 Steven D’Antonio of Bellingham, Massachusetts asks: I have been using the Hot Rod 2-way Adjustable Truss Rods made by Stewart MacDonald for several years with good results. I have been placing them dead center in the neck without any problems that I am aware of. But recently I read something by John Calkin in AL stating that since the treble strings are under more tension than the bass, some luthiers offset their truss rods toward the treble to compensate for the imbalance in tensions. I asked Stew-Mac and also LMII for their advice, and they both suggested dead center placement for the truss rod. If you suggest offsetting towards the treble, how much is enough? John Calkin of Greenville, Virginia answers: It’s pretty common to find that when the neck of a guitar with some age on it is adjusted, the treble side still has a slight bow after the bass side of the fingerboard is flat. Pulling out the bow on the treble side will often fret out some of the bass notes nearest the nut. Usually this is a minor affair, but occasionally the only fix is some fret filing or even a refret after the fretboard has been trued. I tend to think of this as an electric guitar problem, but that may only be because electric guitarists are more obsessive about having the lowest possible action. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on January 19, 2010September 10, 2025 by Dale Phillips Product Review: Fossil Ivory Bridge Pins Product Review: Fossil Ivory Bridge Pins by Harry Fleishman Originally published in American Lutherie #74, 2003 and Big Red Book of American Lutherie Volume Seven, 2015 Fossil-Ivory Bridge Pins A beautiful guitar sounds better than a merely nice looking one. An expertly appointed guitar sounds better than an adequately detailed guitar. An expert setup sounds better than one that is merely competent. Why? Because our eye prepares our ear. Our sense of detail tells us whether the guitar was finished with passion or with efficiency. Our hands tell us if the guitar will respond to the range of music we need to express. Not only do these assessments affect our ear and the sound we expect to hear, they affect our desire to purchase a guitar. Virtually all guitarists make decisions about a guitar before they even pick it up. If a guitarist is looking for a new guitar and has a wall of them to choose from, he or she may be drawn unconsciously towards the attractive guitar. Clearly attractive is a relative term and people’s ideas of attractive vary. This is not a cynical point, however. We are interested in selling our guitars so that we may continue to build and learn and grow as luthiers. Even at the moment a client opens the case of their custom-made guitar for the first time upon receiving it after their long wait, they will be more positively disposed and prepared for good tone if their guitar looks and feels good. Of course, none of this matters if the guitar cannot deliver the goods. However, unless the client is expecting folk art, they will appreciate the extra details that separate the custom-built, handmade guitar from even its high-end store-bought counterpart. These details extend from the finishing touches on the fingerboard all the way down to the choice of bridge pins. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on January 19, 2010September 10, 2025 by Dale Phillips Questions: Digital Photography Questions: Digital Photography by Byron Will, and R.M. Mottola Originally published in American Lutherie #81, 2005 and Big Red Book of American Lutherie Volume Seven, 2015 James from Cincinnati, Ohio asks: I’m switching from film to digital photography. I’d like to take photos to send to clients during construction and post on my website. I’d also like to take really good studio shots for my portfolio. I know this can’t be answered comprehensively in the Questions column. Right now I’m looking for tips and/or directions to pursue. Byron Will of Portland, Oregon answers: My experience taking photos of my harpsichords and other instruments and teaching digital photography at the community college here might be of use. You don’t mention if you’ve already purchased your digital camera. If not, I recommend you check out these websites that I’ve found very helpful for determining what to buy: www.dpreview.com and www.steves-digicams.com. Bear in mind that the quality of the optics is as important as the number of megapixels. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.