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Getting Good Inlay Results with Inexpensive CNC Routers

Getting Good Inlay Results with Inexpensive CNC Routers

by Jon Sevy

Originally published in American Lutherie #144, 2021



Prices for basic CNC routers have dropped dramatically, to the point where small machines in the “3018” class cost only about $250. The name comes from the workable cutting area of 30CM×18CM, which is too small for cutting many of the parts of a guitar (neck, body outline, and so on), but perfect for creating inlays for the peghead and fretboard. The router can be used to cut out both the inlays (in shell, wood, and other materials) and the pockets into which they will be glued. If you have done this by hand, you’ll know just how exacting and time consuming this work is. I use a jeweler’s saw and bird’s-mouth platform to cut the delicate inlays from mother-of-pearl and abalone, and a Dremel with a selection of fine bits to cut out the pockets, using a high-magnification headpiece so I can cut precisely to the lines. It’s tedious work, especially for the repetitive fretboard inlays, so I was interested to try a CNC router as a way to offload this task.

There are many resources available for getting started with one of these routers, including tutorials and software packages for developing designs and controlling the router. The routers are widely available on Amazon; I purchased a SainSmart Genmitsu 3018 Pro model based on the reviews (Photo 1). Some assembly is required, but it was relatively straightforward to get it up and running. Most routers come with software that can be used to control the machine, but it’s often proprietary and may be somewhat limited in functionality. However, the machines generally use a standard open-source firmware called GRBL, which makes it easy to use other software packages to control the router. Though the software supplied with the Genmitsu router is adequate, it’s Windows-based software and I run Linux on my laptop, so I chose to use the open-source bCNC package instead of the Genmitsu software. But all of these software packages support the two essential operations for router control, which are manual positioning and execution of G-code to automatically drive the router. G-code is a simple text-based language to specify the position of the cutting bit.

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Questions: Digital Photography

Questions: Digital Photography

by Byron Will, and R.M. Mottola

Originally published in American Lutherie #81, 2005 and Big Red Book of American Lutherie Volume Seven, 2015



James from Cincinnati, Ohio asks:

I’m switching from film to digital photography. I’d like to take photos to send to clients during construction and post on my website. I’d also like to take really good studio shots for my portfolio. I know this can’t be answered comprehensively in the Questions column. Right now I’m looking for tips and/or directions to pursue.


Byron Will of Portland, Oregon answers:

My experience taking photos of my harpsichords and other instruments and teaching digital photography at the community college here might be of use. You don’t mention if you’ve already purchased your digital camera. If not, I recommend you check out these websites that I’ve found very helpful for determining what to buy: www.dpreview.com and www.steves-digicams.com. Bear in mind that the quality of the optics is as important as the number of megapixels.

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Review: Shoptalk 6

Review: Shoptalk 6

Reviewed by John Calkin

Originally published in American Lutherie #73, 2003 and Big Red Book of American Lutherie Volume Seven, 2015



Shoptalk 6
Stewart-MacDonald
Video, 90 minutes, 2002
www.stewmac.com

I look forward to each new edition of the Shoptalk videos. They show off the new Stew-Mac tools in the best soft-sell manner by simply demonstrating how they work in a real guitar shop; and on top of that there is always plenty of good randomly gathered information that has nothing to do with selling stuff. The camera work has become excellent, Stew-Mac has developed a fine team of on-camera luthiers, and the cost of the videos is always too low to pass up. You couldn’t beat that combination with a stick.

Dan Erlewine leads off with an exhibition of nifty new tools. The BridgeSaver is a set of small hand tools used to repair worn bridge plates and to restore the bridge-pin area of guitar tops. Removing a shot bridge plate has become a last-ditch effort that is frowned upon by vintage folks who wish to maintain instrument originality as much as possible, and by luthiers because it is time consuming and sometimes dangerous to the guitar top. The BridgeSaver removes wood around wallowed-out or misplaced bridge-plate material and/or top material and cuts a mating disk of new wood (not included) to precisely mate with the newly formed hole. The exact procedure is better seen than described. The catalog pictures are good enough to give you the idea, but the video ought to light you up if you’ve done any old-style bridge-plate work in the past.

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Review: The Luthiers Mercantile Catalog for Stringed Instrument Makers

Review: The Luthiers Mercantile Catalog for Stringed Instrument Makers

Reviewed by Cyndy Burton

Originally published in American Lutherie #29, 1992 and Big Red Book of American Lutherie Volume Three, 2004



The Luthiers Mercantile Catalog for Stringed Instrument Makers
Luthiers Mercantile, 1990. 216 pp.

At our 1990 GAL Convention in Tacoma, the word was floating around that the much anticipated new Luthiers Mercantile Catalog would soon be out. A prototype version lay on the exhibit table along with some great wood bargains. I remember I was particularly interested in the cutaway modification for the Universal Wood-Bending Machine, having recently built mine from the kit and thinking how great it would be to be able to do cutaways with the ease of just “normal” bending. So I peeked at Mark Campellone’s description and drawings for modifying the machine to do cutaways. This expanded information on the Universal Wood-Bending Machine (along with several other tips/improvements for the machine) is typical of how the “new” catalog is different from the old one. It’s better. Most of the old photographs are still there and many new ones have been added. The old catalog is simply used as a core for updating and expanding based at least partly on feedback from the people who buy and use LM tools and woods. (It has the feel of a GAL publication in that regard.)

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