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It Worked for Me: Shop-Made Deadblow Hammer

It Worked for Me: Shop-Made Deadblow Hammer

by Steve Kennel

Originally published in American Lutherie #144, 2021



I’m poised to fret a fresh guitar neck and had, in the past, used a well-polished machinist’s hammer. It just seems a little too metal-on-metal for the project, so, well, a dead-blow hammer with non-marring faces seemed to be the thing to get.

Some days you just don’t want to leave the driveway and online shopping is annoying. So I scouted around the premises and came up with this. It’s kinda ugly but I really like the price and it exceeds my hopes for its functionality.

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Vise on a Stick

Vise on a Stick

by Harry Fleishman

Originally published in American Lutherie #143, 2021



I tend to work in terribly uncomfortable and physically damaging postures, thanks to the inevitable mismatch between where the work is, where it would be comfortable to work on it, how my body is shaped, and my inherent laziness. In spite of that, about thirty years ago I decided to design a jig that might help in a few types of work. These include neck shaping (where clamps tend to be in the way, and the work keeps needing to be moved), and bridge, saddle, and nut work (where I like to get it up closer to eye level).

As those of you who have read my articles in the past know, I started out when there were virtually no off-the-shelf jigs and tools for lutherie. To some modern luthiers that may seem like a deprivation; I believe there was a benefit to having to figure out how to make them. It made one more inventive, and for me, that carried over to my design work.

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First Build: A Lumberyard Ukulele

First Build: A Lumberyard Ukulele

by Steve Dickerson

Originally published in American Lutherie #143, 2021



When you’re building your first instrument, there aren’t many options. You can buy a kit, join a class (if you can find one), or build from scratch. Kit building can be enjoyable, as well as educational, but (to me, at least) it doesn’t produce the same satisfaction and sense of accomplishment that comes from starting with nothing but the raw materials.

My first instrument, many years ago, was scratch-built, but with a twist: I bought a tenor ukulele kit from StewMac, complete with plans and a how-to DVD. I watched the DVD, studied the plans and manual, but set the kit aside. I then bought materials from Home Depot and made a uke, using the kit’s plans and instructions. I still have my “Lumberyard Ukulele” (Photo 1), and it’s a good reminder of some of the things I did wrong.

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Motorized Dish Sander

Motorized Dish Sander

by Mike Doolin

Originally published in American Lutherie #74, 2003 and Big Red Book of American Lutherie Volume Seven, 2015



Here’s a motorized dish sander for truing up the edges of sides after gluing in the lining. It’s a 2´-diameter MDF disk that’s radiused to 15´ on one side and flat on the other, with 80-grit sandpaper on both sides.

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Essential Tools: Scratches and a Detail Knife

Essential Tools: Scratches and a Detail Knife

by Eugene Clark with Jonathon Peterson

Originally published in American Lutherie #80, 2004 and Big Red Book of American lutherie Volume Seven, 2015



What are scratch tools, Eugene?

Scratches are something like one-tooth saws. The square one is like a rip tooth, a paring tool like a small chisel that takes a shaving out; and the pointed one is a parting tool that separates. So, you have a pointed scratch and a chisel-shaped scratch. The latter are really just violin purfling tools. These were hand forged from nails. On some of these German scratches you can pull the blade out of the handle and you will see the unaltered point of a nail — good Swedish nails, probably. Nails made from Swedish steel were very much in demand for tools like this.

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