Posted on July 8, 2024May 2, 2025 by Dale Phillips Meet the Maker: Michael Darnton Meet the Maker: Michael Darnton by Jonathon Peterson Originally published in American Lutherie #27, 1991 and Big Red Book of American Lutherie Volume Three, 2004 How did your lutherie career get started? I started playing cello when I was in 6th grade and immediately got more interested in the instrument than I was in the playing. When I was about twelve years old I got some money for Christmas from my grandmother. The very next day I ran out and bought Heron-Allen’s Violin Making, As It Was and Is, which I had spotted at a local bookstore. I talked to my mother a couple of weeks ago and she told me that she took one look at the book and thought, “This is a waste of money! He’s never going to do anything with it. It’s much too complex.” But she was wrong. I really surprised her. It took awhile to get around to it, though. Five or six years later I bought a piece of wood and some tools. I started a violin, but I didn’t get very far. I just put the whole thing aside. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 3 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on August 11, 2021May 5, 2025 by Dale Phillips Jack Batts Jack Batts An interview by Jeff Feltman Originally published in American Lutherie #10, 1987 and Big Red Book of American Lutherie Volume One, 2000 You can walk into a clockmaker’s shop and see fifty clocks. One reads 12:00, another says 11:55, another 12:05. Only one can be right, and it probably isn’t a bad guess that none of them is right. Searching for the right varnish is like being in that clock shop.” “A man could make 150 more violins in his life if he wasn’t so worried about concocting some witches brew. He would do well to spend his time learning to make a fine violin.” Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 17, 2010May 5, 2025 by Dale Phillips In Memoriam: Dell Staton In Memoriam: Dell Staton by H.E. Huttig Originally published in American Lutherie #19, 1989 Miami has been hit with a number of losses just recently. Everardo Lopez, a fine Cuban guitar builder and Salvado Mayo, a performer and friend of Everardo died in a car accident. Then there was Marino, a fine performer of both folkloric and classical music. Jose Fernandez was another impeccable craftsman, a maker of concert grade guitars. I own a guitar made by Jose, and it is the favorite of Carlos Barbossa-Lima to use while visiting us. Lastly, there is Dell Staton, a terrific jazz guitarist, inventor, and repair expert. The untimely death of Dell Staton is keenly felt in Miami guitar circles. I met Dell in the ’60s through Juan Mercadal. Dell was born on a farm and wanted to play guitar ever since he saw one from a distance. He finally got one, probably a Stella, and being left handed, he played it upside down with the bass strings on the bottom. He progressed so far that it was too late to change the strings when he found out about it. Dell Staton with members of the Miami Guitar Society in the ’60s. That’s Dell with the guitarron and Marjory Morton playing the guitar. I don’t know the name of the lady at the left, but the others are (L to R) Hart Huttig, Chico Taylor, Juan Mercadal, and Dr. and Mrs. Bohn. Photo courtesy of H.E. Huttig. Dell served with the U.S. forces in Germany and was billeted with a German family of guitar builders in Saxony. Though Dell was the enemy, the Germans took to him and he became like one of the family. When he was to leave, he tried to board a truck in the convoy, but being the last man in line, he was told to take the next truck as they were too full. That truck hit a landmine and all the soldiers were killed. When Dell left, the Germans gave him one of their own guitars, a beauty made of flamed maple with the workmanship of the violin maker. Beside being a greatly talented artist, Dell made inventions and did repairs. He took the bass pedals from an electric organ and played bass accompaniment with his feet. He bent a wire coat hanger and put it between the guitar strings behind the bridge to make the first vibrato device. Dell was a consummate jazz artist but he also played classical music well despite the handicap of the string arrangement. ◆