Posted on March 3, 2026March 3, 2026 by Dale Phillips Length of Newt’s Tail by Width of Dragon’s Hair Length of Newt’s Tail by Width of Dragon’s Hair by Ken Sribnick Originally published in American Lutherie #55, 1998 Don’t hurt me. I’m going to tell you an old joke. How many luthiers does it take to split a dragon’s hair? One to split the hair, and the rest to say, “Oh, that’s how you do it.” At our 1995 convention, I heard a number of luthiers ask about measurement and precision: How do you check this? When is that flat enough? In the spirit of the little joke, I thought it might be interesting to tell you my approach. These surely aren’t the only, or necessarily the best, methods — only how one man splits dragon hair and newt’s tail in our little shop. My early lutherie and repair went slowly until an experienced luthier, a repairman in New York’s music district, helped me along. His “luthier’s gold” included explaining which measuring tools to have, and how to use them. Consistency is essential. You must strive to reduce error and deviation. To this end I have “master” reference tools in the shop: one ruler, one caliper, one flat surface, and my drawings. It doesn't matter if you use metric measurements or inches. Just pick the system you’re comfortable with, have good master references, and, stick with them. You’ll be successful. I’m metric because I tune Toyotas as well as 12-strings. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on March 10, 2020May 22, 2025 by Dale Phillips 6-Course Ivory Lute labeled Magno dieffopruchar a venetia, ca. 1550 in the collection of J. & A. Beare Ltd. 6-Course Ivory Lute labeled Magno dieffopruchar a venetia, ca. 1550 in the collection of J. & A. Beare Ltd. by Ken Sribnick and Gayle Miller Originally published in American Lutherie #32, 1992 and Big Red Book of American Lutherie Volume Three, 2004 see also, Ivory Lute: Picture This by Ken Sribnick and Gayle Miller Ivory Lute: Questions Remain by Robert Lundberg Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 8, 2010May 22, 2025 by Dale Phillips Ivory Lute: Picture This Ivory Lute: Picture This by Ken Sribnick and Gayle Miller Originally published in American Lutherie #32, 1992 and Big Red Book of American Lutherie Volume Three, 2004 see also, 6-Course Ivory Lute labeled Magno dieffopruchar a venetia, ca. 1550 in the collection of J. & A. Beare Ltd. by Ken Sribnick and Gayle Miller Ivory Lute: Questions Remain by Robert Lundberg These photographs prove that any luthier — right or left handed — can contribute to our Guild and its journal. Though early music is a favorite at our house, neither of us has ever met a lute we fell in love with. It’s all played on guitar. Robert Lundberg didn’t know us when he asked for some shots of what may be the only surviving 6-course Renaissance lute in original condition. We were to be in London the following month. So it was that we found ourselves using the hallway pay phone in our little tourist hotel to call Mr. Charles Beare of John & Arthur Beare Violins. He owns the lute. You’ve read his name in the New York/Los Angeles/London Times when there’s an auction at Sotheby’s/Christie’s of a Strad/Amati/Not Electric violin for over $1/2/3 million. Write ahead? Hey, we don’t even sharpen the chisels before we start! Her job is to answer the phone. She tells people not to bring in granddad’s fiddle even if it does say Stradivari. She filters for the real calls. For some reason we told it all to her instead of asking for Mr. Beare’s secretary. “I’ll ring you back,” she said. She didn’t sound committed. Our hotel didn’t even have a switchboard, just that hall phone. We paid too much airfare to bet on her call so we went out for the day. Returning that night, we found a little note by the phone. We were amazed to discover that Mr. Beare would be happy to have us photograph his lute and could we plan to spend some time to chat as well? Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
