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What We Do and Don’t Know About Guitar Making

What We Do and Don’t Know About Guitar Making by Mark French from his 2023 GAL Convention Science and Technology Seminar presentation Originally published in American Lutherie #153, 2024 Why should you believe anything I’m about to say? I was originally trained as an aerospace engineer. I’ve spent much of my career, starting in 1985, working in […]

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Changing Guitar-Body Resonant Frequencies

Changing Guitar-Body Resonant Frequencies by Devon Pessler, Alyssa Fernandez, and Mark French Originally published in American Lutherie #152, July 2024   Two of the most important design parameters for acoustic guitars are the body volume and the soundhole diameter. Both strongly affect the lower resonant frequencies of the instrument, and most designers have at least […]

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Questions: North American Wood

Questions: North American Wood

by Mark French, Ned Steinberger, and Alan Carruth

Originally published in American Lutherie #94, 2008



See also,
Questions: Nontropical Fingerboard Materials by Tom Theil



Larry L. from the Internet asks:

I’ve noticed that my choices in materials have evolved over the years to favor wood from North America. At this point I’d like to take the final step and eliminate all tropical hardwood. The two fingerboard materials that make the most sense to me are phenolic impregnated paper or cloth (Garolite, Micarta) and phenolic impregnated wood (Dymondwood, Pakkawood, Staminawood). I think I understand issues with machining these materials and fret installation, but I wonder how differential expansion/contraction with changes in humidity will affect the stability of necks with wood shafts and fingerboards made of these materials. Does anyone have experience here?


Mark French from West Lafayette, Indiana responds:

Any time you have differential expansion of two materials that are bonded, you have the possibility of large deformations. For example, one type of thermometer works by having a coiled bimetallic strip inside. When the temperature changes, the end of the coil moves a needle.

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Measuring the Breaking Strength of Steel Guitar Strings

Measuring the Breaking Strength of Steel Guitar Strings by Mark French Originally published in American Lutherie #151, 2024   Steel guitar strings have been available for at least one hundred years, and a large majority of guitars use them. Steel strings changed the design of instruments since they brought higher tension, which required stronger structures. […]

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Inharmonicity of Guitar Strings

Inharmonicity of Guitar Strings

by Mark French

Originally published in American Lutherie #100, 2009



Strings are uniquely well suited to make music because all their resonant frequencies are very close to being integer multiples of the fundamental frequency.1 The octave is the most consonant interval and the resonant frequencies of a vibrating string are separated from one another by octaves. The expression for the resonant frequencies of an ideal string is familiar to many luthiers.

Become A Member to Continue Reading This Article

This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

If you are already a member, login for access or contact us to setup your account.