The Articles Online feature is a library of out-of-print GAL articles available exclusively to current GAL members. Members: Login to read the entire article. Not a current member? Join or renew your Guild membership and your access begins immediately. Filter by Topic: All Topics+Classical Guitar+How-To+In Memoriam+Instruments+Luthiers+Reviews+Steel String Guitar+Violin Family+Why it Works+Woodaccessoriesbalalaikabanjobass electric flattop violbendingbindingbowbracing classical flattop otherbridge electric gluing guitar other violinbusiness ethics other promotioncasescellocomputersconstruction-step-by-stepdulcimer fretted hammeredelectronicsfingerboard fretboardfinish lacquer oil other shellac spraying varnish waterbornegluingguitar archtop baroque classical electric factories flamenco flattop harp other resophonicharpsichordhealthhumidityhumorinlayinstruments otherivorylutemandolinmeetingsmemoriamneckorganizationspegspeoplephilosophyphysics guitar math other violinplansrepair bridge crack neck otherrestorationreviewsrosetteschoolssharpeningskinsoundhole sideportstrings guitar other tension violinsyntheticstools clamps created hand jigs measuring other powertunerstuning temperamentukulelevihuelaviolviolinwood dealers hard other selection soft treesworkshopzitherOr Filter by Author Instead: Author Half-and-Half Tops Length of Newt’s Tail by Width of Dragon’s Hair Meet the Maker: Ralph Novak Meet the Maker: Wade Lowe Meet the Maker: Abel Garcia López Selecting Guitar Wood Based on Material Properties, Part One Selecting Guitar Wood Based on Material Properties, Part Two Meet the Maker: David Cohen Torres Guitar Restoration Mario Maccaferri: Feisty As Ever An Interview with Richard Schneider Refining Factory Setups on Electric Guitars: Going the Extra Mile D’Aquisto’s Wedge Bridge Meet the Maker: David King Restoration of a Michelot Late Baroque Guitar Measuring Archtop Musical Instruments Arched Plate Carving, Part One: Establishing the Outside Surface Arched Plate Carving, Part Two: Graduating the Top Plate and Cutting the f-Holes Arched Plate Carving, Part Three: Barring the Top Plate, and Graduating the Back Plate Three Flattop Acoustic Basses In Memoriam: Ken Parker Two Ancient Guitars Fluorescent Inspection Lamp Respacing the ‘Badass’ Bridge Resophonic Guitars Origins of the Mountain Dulcimer Questions: Crystalac Calculating Fret Intervals with Spreadsheet Software Harvey Thomas and the Infernal Music Machine Making Kerfed Lining: A Huss & Dalton Shop Story Getting Good Inlay Results with Inexpensive CNC Routers Kit Review: Musicmaker’s Irish Bouzouki Partial Refrets Meet the Maker: Graham McDonald Meet the Maker: John Calkin Electric Bass Design Consideration Chalk-fitting Guitar Braces Evolving the Dished Workboard Slotting Fretboards A Flattop Mandolin Resurrection Next No more posts No more posts
