Posted on April 11, 2021March 6, 2024 by Dale Phillips African Rosewood African Rosewood by John Jordan Originally published in American Lutherie #9, 1987 and Big Red Book of American Lutherie, Volume One, 2000 See also, South American Rosewood by John Jordan It’s been over a year since my last installment of this series, “South American Rosewood,” and now it’s time to cover African rosewood. At the 1986 GAL convention, I talked to several wood dealers to clarify and verify some of the information presented here. Also, I talked to many luthiers about what important information they felt was missing or incomplete in the first installment. Requests came for more specific lutherie information: How well does it bend? How good a tonewood is it? Does anyone sell back and side sets? In preparing this article, I’ve tried to find people who have built with a particular variety to see how they feel about the wood. Also, in instances where I know of someone that sells back and side sets for guitar, I’ve mentioned them. I was pleasantly surprised to find a few guitars at the convention made from less common varieties of rosewoods, so I go on with some encouragement. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 28, 2020March 6, 2024 by Dale Phillips Cutting Michigan Maple Cutting Michigan Maple by Elon Howe Originally published in American Lutherie #37, 1994 In 1983, I had the guts to try to repair my dad’s old fiddle. I reglued it, sanded it, sprayed on a varnish — it looked great. I was later advised that I had spoiled the fiddle by doing the wrong things. Later on, I bought a fiddle kit. It had the wood, a machine cut scroll, four ounces of varnish, and a half-pound of glue. About six months later I turned out my first fiddle and of course it sounded great. Dan Erlewine, who ran a shop north of us at that time, had to admit that it looked pretty fair. He later admitted he was afraid to see what I might turn out because he knew he would have to be honest. He seemed to be relieved that it didn’t look like a shoe box. At first, information was hard to come by. Finally, we found an address for Hammond Ashley. He recommended a book called The Techniques of Violin Making by Harry Wake. I got to meet Harry at the Arizona Violin Makers’ Association Competition in Tucson — he even bought some willow wood from me. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 27, 2020March 6, 2024 by Dale Phillips Whence Tree Names Whence Tree Names by Nicholas Von Robison Originally published in American Lutherie #31, 1992 and Big Red Book of American Lutherie, Volume Three, 2004 What’s in a name?” cries Juliet; “that which we call a rose by any other name would smell as sweet.” Yet Shakespeare might admit that a rose is not less sweet because we know its name. The system of binomial nomenclature is one of the best inventions. It is effective; it is beautiful in its simplicity. A luthier in New York may talk of trees and wood to a luthier in Faroffistan with precision and mutual understanding. Centuries are tied together between us and the many careful observers hundreds of years ago who left good records in aristocratic Latin, when the common vernacular language was considered not to be a sufficient medium for such learning. To know the names of the forms of life is one of the keenest satisfactions; it brings us into relationship with our materials in another facet of our fascinating occupation. Every binomial has meaning; it is uniquely significant. Consider... Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 27, 2020March 6, 2024 by Dale Phillips A Primer on Botanical Pronounciation A Primer on Botanical Pronounciation by Nicholas Von Robison Originally published in American Lutherie #31, 1992 and Big Red Book of American Lutherie, Volume Three, 2004 Whenever luthiers sit down to talk wood, Latinized botanical names are neccesarily bandied about. When I was an undergraduate forestry student I witnessed a fistfight between two classmates who had a difference of opinion on how a certain botanical name should be pronounced, so to deter mayhem in the lutherie community, I offer the following rules and notes. The accent method of pronunciation is not my own, but that of the great American botanist Liberty Hyde Bailey, whose Hortus series of encyclopedic reference books paved the way for a standardized method of pronunciation by most authorities. His How Plants Get Their Names also gives accent pronunciations as well as the meaning of many generic and specific botanical names. Your local library probably has this along with Hortus Second; and if they are up to date, Hortus Third. Many other botanical and horticultural references have adapted his conventions. His simple chart of sounds: Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on December 27, 2020March 6, 2024 by Dale Phillips Moisture Content Moisture Content by Gregory Jackson Originally published as Guild of American Luthiers Data Sheet #296, 1984 and Lutherie Woods and Steel String Guitars, 1997 Equilibrium moisture content (EMC) is the point at which wood is not losing or gaining moisture. This occurs when the wood is in balance with its environment. Since the environment changes from day to day, the EMC normally considered is the average EMC. It is very important to understand that this is a delicate balance between the wood and the environment. EMC is not a universal moisture content (MC) for all conditions. As conditions change, the EMC will also change. The water has a tendency to leave the wood and become airborne moisture, just as does the water in clothes hung out to dry. At the same time the wood has an attraction to water and will tend to absorb any available moisture. Water spilled on unfinished lumber can be observed to soak into the wood. The water in humid air, while not so obvious, is also available to the wood and will sometimes be drawn into the lumber. The two forces — 1) for water to be drawn into the air; 2) for water to be drawn into the wood — are opposing forces. The net effect is to create a balance which is called an equilibrium. Equilibrium is affected by both humidity and by temperature. As the humidity in the air is increased the wood will gain moisture. If the humidity is lowered the wood will give up water to the air. Higher temperatures will force water into the air while lower temperatures will let the wood gain moisture. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
