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Review: Lutes, Viols and Temperaments by Mark Lindley

Review: Lutes, Viols and Temperaments by Mark Lindley

Reviewed by Edward L. Kottick

Originally published in American Lutherie #2, 1985 and Big Red Book of American Lutherie Volume One, 2000



Lutes, Viols and Temperaments
Mark Lindley
Cambridge University Press, 1984
Out of print (1999)

This book represents a landmark of scholarship that cannot be ignored by those who deal with fretted string instruments, whether scholar, maker, or player. Mark Lindley, one of the world’s experts on this complex subject, summarizes everything that can at present be said about the ways in which theorists and performers viewed the problem of temperament on fretted string instruments between ca. 1520 and ca. 1740. He does a brilliant job of sorting out the writers. He explains how some of them misunderstood the mathematical principles involved in reckoning temperament, and he shows how many of them, in turn, have been misinterpreted by modern scholars.

The information is laid out clearly. Quotations from original sources have the English translation in parallel columns: thus, if Lindley draws an inference from the primary material, you are free to disagree and draw your own. The mathematics of temperament are presented clearly and, in many cases, masterfully, as in his explication of the distinction between the ratio of 18:17 and 12th root of 2.

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Review: Engineering the Guitar: Theory and Practice by Richard Mark French

Review: Engineering the Guitar: Theory and Practice by Richard Mark French

Reviewed by Bill Greenwood

Originally published in American Lutherie #99, 2009



Engineering the Guitar: Theory and Practice
Richard Mark French
ISBN (hardback): 9780387743684
Springer, 266 pp. 2009

With Engineering the Guitar, the author introduces a new genre of musical acoustics textbook, aimed at a niche audience of mathematically literate students who are relatively new to the details of guitar structure and guitar building. The book assumes familiarity with basic physics and calculus that includes a modest background in differential equations and Fourier series, and presents some excellent applications of basic engineering analysis that will be appreciated by those who have taken a standard course in the strength of materials.

The book parallels a unique course developed by the author at Purdue University, where a dozen engineering students all build identical classical guitars in the span of a single semester with the aid of computer-controlled machining. At the same time, the students are introduced to the basic physics of stringed instruments and to the engineering aspects of guitars. Although the target audience of college engineering students is rather narrow, the advanced level of the book and the refreshing examples generated by the author make it a useful and engaging reference for others who are interested in theory and measurements that relate to the structure and dynamic behavior of guitars.

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This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

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