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It Worked for Me: Violin Shipping Tips

It Worked for Me: Violin Shipping Tips

by Keith Davis

Originally published in American Lutherie #48, 1996

 

Helpful hints for shipping a violin:

▶ Place a foam rubber or tissue paper filler under the end of the fingerboard. This should be just snug, not too tight.
▶ Place a similar pad under the end of the tailpiece nearest the bridge.
▶ Using additional foam rubber or tissue, make a pad that will fill the space between the bridge and the end of the fingerboard, and a similar one that will fit between the bridge and the tailpiece and put them in place.
▶ With the padding in place, lower the string tension slightly, the equivalent of about one full tone. The strings should touch the pads.
▶ If a polyethylene violin bag is available, put the violin into it prior to putting it in the case to help protect the instrument from humidity changes during transit.
▶ Place additional foam rubber pads between the case and the ribs of the violin to prevent it from knocking around in the case. Make sure that the neck of the violin is supported and that the bow(s), if any, are well secured.
▶ Close the case carefully after including any necessary documents. Pick up the case in both hands and shake it gently, then with more vigor, listening to see if the violin is well secured. If not, back up and add more padding.
▶ Pack the case in an appropriate corrugated cardboard box. Padding between the case and the box is essential and may consist of crumpled paper in great quantity, foam peanuts, foam rubber.
▶ Whenever possible, ship violins on Mondays or Tuesdays, and rare or valuable instruments via 2nd Day Air. This will prevent long layovers in unheated
warehouses.

Please Note: People receiving violins in terribly cold weather should exercise caution in unpacking them. The instrument, box and all should be allowed to come to room temperature before opening. Frozen violins, shocked by instant exposure to warm air, can turn into 72-piece violin kits.

Take your time and do a nice job. Using these methods we at Davis Instrument Service have never suffered a shipping loss. ◆

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Letter: Erikson Letter AL#7

Letter: Erikson Letter AL#7

by George Manno

Originally published in American Lutherie #8, 1986

 

Dear Tim:

In response to Mr. Erikson’s letter, published in American Lutherie #7, I’d like to say that just because violin makers focus their talents on one art form, it shouldn’t and doesn't make me feel above any of my fellow lodge brothers or sisters who practice their talents in another form. I felt Mr. Erikson was trying to impy just that when he referred to violin makers as “a special breed.”

I also disagree with his statement that the American Federation of Violin and Bow Makers lacks unity. Although I am not a member of this federation, I have spoken to its president and secretary on many occasions. Unity within the federation is stressed at all times.

The question of work ethics, which I raised in the article entitled “Honesty” (American Lutherie #5), is only a small part of a bigger concern that many violin makers face. In many ways, the G.A.L., with its publication, has helped bridge the gaps that arise due to the lack of information being published by and for violin makers. Tim, I applaud your efforts. American Lutherie #7 was one of the best violin-related issues ever.

If you are an amateur maker or a professional maker or repairman/woman who would like to start a new guild for violin and bow makers, with the sole purpose of sharing more information on making, repair techniques, and instrument identification, please contact me. I’d be willing to start some sort of newsletter to help get it off the ground. This does not mean that I am leaving the G.A.L.


Sounds great! The GAL loves lutherie info sharing in any form. Also,
American Lutherie has good violin stuff in the can for upcoming issues. Thanks to members like you, George, our violin family coverage has improved noticeably.

-Tim

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Questions: Full Sized Violin Molds

Questions: Full Sized Violin Molds

by Henry Strobel

Originally published in American Lutherie #58, 1999

 

Pat Montenegro from St. Angelo, TX asks:

Where can I get full-size violin molds?


Henry Strobel of Aumsville, OR
responds:

Most people make them rather than purchase them ready made. My books on violin making should be of help. (For more information on Henry Strobel’s books see reviews in AL#39.)

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Questions: Double Bass External Linings

Questions: Double Bass External Linings

by Arnold Schnitzer

Originally published in American Lutherie #97, 2009



Quincy M. from the Internet asks:

Some double basses have what look like external linings, strips of wood on the ribs at the top and bottom edges. Can someone please tell me what the purpose of these strips is and also what they are called?

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Questions: Bass Scroll

Questions: Bass Scroll

by Guy Rabut, Roman Barnas, and Tim Olsen

Originally published in American Lutherie #89, 2007



Paul W. from the Internet asks:

Do you have any advice for someone who is carving his first bass scroll? I have read instructions and seen pictures, but I’m having trouble figuring out what to do after the first turn of the scroll is blocked out.

Become A Member to Continue Reading This Article

This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

If you are already a member, login for access or contact us to setup your account.