Posted on July 8, 2020October 21, 2020 by Dale Phillips Hints for Area Tuning the Violin Hints for Area Tuning the Violin by Keith Hill Originally published in American Lutherie #1, 1985 and Big Red Book of American Lutherie Volume One, 2000 See also, Area Tuning the Violin by Keith Hill In my article “Area Tuning the Violin” I presented my discovery of one of the theoretical principles governing the acoustical quality of the violins made by Stradivarius and his numerous Italian contemporaries. Because I believe that the area-tuning principle is the most important of all the acoustical principles pertinent to violin making, I deemed it best to present it in isolation. I would be less than open with you if I did not say that the American Acoustical Society and the Catgut Acoustical Society both rejected the worthiness of the area-tuning principle. I feel that their reasons were full of vested self-interest. I tell you what I told them: Paying attention to flexibility of free plates is a waste of time and attention. Consider the following points. First, thousands of violins have been made using this notion for the last century, yet no consistently superior results have been produced. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.