Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: The Technique of Violin Making by H.S. Wake Review: The Technique of Violin Making by H.S. Wake Reviewed by Frederick Battershell Originally published in American Lutherie #3, 1985 and Big Red Book of American Lutherie Volume One, 2000 The Technique of Violin Making H.S. Wake published by H. S. Wake, 1973 $23 from Stewart-MacDonald (1999) The good news about privately-published books is they make hitherto obscure information available to the public. The bad news is these privately-published books are seldom reviewed, and as a result of this lack of constructive criticism, are apt to be poorly written. The author may be more intent on presenting his point of view than with enabling his readers to understand what he is trying to say. The Technique of Violin Making has some of these faults. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 5, 2010March 11, 2024 by Dale Phillips Review: Violin Rehairing with Roger Foster Review: Violin Rehairing with Roger Foster by Ronald Louis Fernández Reviewed by Ken Altman Originally published in American Lutherie #100, 2009 Violin Rehairing with Roger Foster Filmed and presented by Ronald Louis Fernández DVD, 53 minutes $59.95 from Fernández Music Box 5153, Irvine, CA 92616 www.fernandezmusic.com Bow rehairing is a bread-and-butter job for shops that do work on instruments of the violin family. Professional players may have their bows rehaired twice a year, and even casual players may need to get new hair every year or two. It’s work that can be tedious and that must be done with care in order to do a good job and to avoid damaging delicate bows. I have quite a few bows come through my shop each week for rehairing and repairs, and unfortunately far too many of them have been damaged by careless, unskilled, and untrained workers. Educational materials that would impart knowledge about the craft of bow rehairing might just save a few bows from premature demise. The cover of the DVD case for Violin Bow Rehairing with Roger Foster carries the byline, “This DVD shows how a professional violin and bowmaker rehairs a bow in his shop,” and the video does indeed deliver on that promise. We get to watch the whole process from beginning to end, with Mr. Foster offering comments and explanations along the way. He starts by inspecting a bow for any damage that may need attention, and then proceeds to take the bow apart, clean the various parts, and prepare the bow for receiving new hair. There follows a long sequence showing how the wooden plugs for holding the hair in the frog and tip mortises are made, a critical step in doing a rehair. I thought it was good that he showed this process in real time, conveying the attention to detail necessary to insure that the plugs fit properly. There are cutaway views of a bow tip and frog, which illustrate clearly how the plugs should fit. From there he goes through the steps of selecting the hair, tying the ends, securing the hair in the tip and frog, fitting a spreader wedge, and taking care of the finishing touches. Through each of these steps he stresses the importance of working conscientiously, taking care not to damage the bow. I found this very commendable. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 4, 2010March 11, 2024 by Dale Phillips Review: Violin-Making as It Was, and Is by Ed. Heron-Allen Review: Violin Making as It Was, and Is by Ed. Heron-Allen Reviewed by Kirk A. Janowiak Originally published in American Lutherie #4, 1985 and Big Red Book of American Lutherie Volume One, 2000 Violin Making as It was, and Is Ed. Heron-Allen Ward Lock Limited Publishers, 1884 Distributed by Sterling Publishing Co., New York, 1984 Out of print (1999) Some years ago, I discovered this title in a catalog for luthiers. I noted that it was first published in 1884, and promptly filed the title away in the back of my mind as one of those “quaint, historical classics” that I might acquire later, after I had purchased all of the more practical books on the craft. Now, having finally acquired the book, I am pleased to say that I was greatly mistaken about the practical value of this book. While it is a “quaint, historical classic,” it is also a comprehensive and valuable treatise on the history, design, and construction of the traditional violin. Heron-Allen submitted this book to fill the void he saw in his time (mid- to late 1800s) regarding the history and construction of the traditional violin. He had originally published much of the material in serial form in the periodical Amateur Work Illustrated (1882–1884). With this work, he corrected, embellished, and further refined his material. He also added a section of history and lore. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 4, 2010March 11, 2024 by Dale Phillips Review: The Strad Facsimile — An Illustrated Guide to Violin Making by Edwin John Ward Review: The Strad Facsimile — An Illustrated Guide to Violin Making by Edwin John Ward Reviewed by Frederick Battershell Originally published in American Lutherie #2, 1985 and Big Red Book of American Lutherie Volume One, 2001 The Strad Facsimile — An Illustrated Guide to Violin Making Edwin John Ward S.E. Ward, Kaneohe, Hawaii, 1984 Out of print (1999) Reviewing any book can be a formidable task. Reviewing a book about violin construction can be downright hazardous! Consider for a moment the possible dangers: irreversible brain damage from attempting to understand the logic of the author; hearing loss from attempts by the reviewer at duplicating the electronic plate-tuning tricks so beloved of some contemporary makers; and last, but certainly not least, near blindness from trying to read the incredibly small type of some of these books. Fortunately, the work of a book reviewer isn’t always this bad. Every now and then, a book is written that appears to be a serious attempt at communicating basic knowledge about a subject to its reader. The Strad Facsimile — An Illustrated Guide To Violin Making by Edwin John Ward is just such a book. The Strad Facsimile is a straightforward, but somewhat concise attempt at describing exactly how Edwin John Ward goes about constructing a Strad pattern violin. This book does have some limitations. It assumes the reader has a good grasp of basic hand-woodworking skills. It does not provide the reader with any information on comparative methods of violin making. The reader is left to do his/her own research into the alternative schools of violin-making technique. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 3, 2010March 11, 2024 by Dale Phillips Review: Stradivari by Stewart Pollens Review: Stradivari by Stewart Pollens Reviewed by David Gusset Originally published in American Lutherie #103, 2010 Stradivari by Stewart Pollens ISBN: 978-0521873048 Cambridge University Press, 2010 For over 200 years, Antonio Stradivari has been universally regarded as the greatest violin maker who ever lived, yet it is not widely known that he made virtually every kind of bowed and plucked string instrument popular in the Baroque period, including lutes, guitars, mandolins, viols, harps, and bows. And what do we actually know about the man and about his life and times? For a start, Antonio Stradivari (the Latinized form of his name “Antonius Stradiuarius” can be seen on the labels he inserted in his instruments) lived and worked in Cremona, Italy. He was born sometime between 1644 and 1649 and died in 1737 and was the successor to three previous generations of Cremonese violin makers of the Amati family. What do we know about Stradivari’s working methods, about how he designed and built his instruments? Certainly a lot can be learned from studying the more than 600 of his instruments that still exist, although many of us regrettably may never have the experience of studying firsthand his instruments inside and out. Furthermore, almost all of those surviving instruments have been altered in the process of repair and modernization. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
