Posted on July 16, 2024June 10, 2025 by Dale Phillips In Memoriam: Kent Rayman In Memoriam: Kent Rayman August 22, 1949 — May 16, 2024 by Jeffrey R. Elliott Originally published in American Lutherie #152, July 2024 From 1973 through 1976 my shop was in downtown Portland, Oregon, where I had four full-time apprentices building and repairing guitars. One day in 1975 Kent Rayman walked in, introduced himself, and asked if he could interview me for the Guild of American Luthiers Quarterly newsletter. I did not know of the Guild yet, so this was my introduction; a fortuitous day for me if ever there was one. All photos courtesy of Jeffrey R. Elliott. With our common interest and passion for instrument making we became friends, and two years later, Kent began a two-year apprenticeship with me. It was during this time that Gary Bennett, a dear friend of Kent’s, began his comic strip “Kent ’n’ Jeff,” which ran in the GAL Quarterly for a time. Not only was Kent an adept student, but he brought with him a knowledge of machinery and jig making that benefited the shop — I’m primarily a hand-tool worker, so there was also something of an exchange, where the student teaches the teacher. We kept in touch over the years, which spanned several shops for Kent. An early one was shared with fellow luthier Christopher Burt, and together they developed the Oregon Bass, a full-scale upright electric solidbody instrument, complete with an end pin. Around that time, Kent also became an authorized Martin repair center, something he took great satisfaction in. Kent never lost his interest and love for instrument making, and in later years enjoyed teaching woodworking and the use of power tools to others, whether or not in the trade. I’ll remember Kent most for his thoughtful, careful way of working, his calmness in all situations, his reverence for the planet and all life, and his ready sense of humor. — Jeffrey R. Elliott
Posted on July 8, 2024May 2, 2025 by Dale Phillips Meet the Maker: Michael Darnton Meet the Maker: Michael Darnton by Jonathon Peterson Originally published in American Lutherie #27, 1991 and Big Red Book of American Lutherie Volume Three, 2004 How did your lutherie career get started? I started playing cello when I was in 6th grade and immediately got more interested in the instrument than I was in the playing. When I was about twelve years old I got some money for Christmas from my grandmother. The very next day I ran out and bought Heron-Allen’s Violin Making, As It Was and Is, which I had spotted at a local bookstore. I talked to my mother a couple of weeks ago and she told me that she took one look at the book and thought, “This is a waste of money! He’s never going to do anything with it. It’s much too complex.” But she was wrong. I really surprised her. It took awhile to get around to it, though. Five or six years later I bought a piece of wood and some tools. I started a violin, but I didn’t get very far. I just put the whole thing aside. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 3 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on July 8, 2024May 14, 2025 by Dale Phillips Meet the Maker: Chuck Lee Meet the Maker: Chuck Lee by Steve Kinnaird Originally published in American Lutherie #95, 2008 Chuck Lee, versatile fellow that he is, has worn a number of hats over the years. For more than three decades he has been in the plumbing trade, and for the last fifteen has held a Texas Master Plumber’s license. (And he has the dust collection system in his shop to prove his prowess with the pipes.) For seven years he worked with Wycliffe International, an organization engaged in translating the Bible into tribal languages. Currently he’s at the helm of Chuck Lee Banjo Company. Located just south of Dallas, this small firm turns out over eighty open-back banjos a year. Recently, Chuck took an afternoon off from his busy schedule to talk about his work. It was a pleasure to visit with my friend, and learn more of his story. Plus, his tidy shop and efficient use of space are always an inspiration. About halfway through we were joined by his wife Tammy, and the conversation really got interesting. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 3 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on July 8, 2024May 14, 2025 by Dale Phillips Meet the Maker: Jose “Pepito” Reyes Zamora Meet the Maker: Jose “Pepito” Reyes Zamora by C.F. Casey Originally published in American Lutherie #88, 2006 I first met Pepito Reyes by phone, when I called him to ask some questions for my review of his book El Tiple Puertorriqueño. About a year later, I had a chance to meet him face to face, at the Tiple Conference in Mayagüez, Puerto Rico and later at his home and workshop in Jayuya. As we talked, I gained more and more respect for a man who, after ending one successful career, immediately created a second: to dedicate himself to giving back to the environment and culture that nurtured him. Pepito is a man filled with passion for his cause, which is to ensure that traditional Puerto Rican culture, especially its music, and more especially yet, the Puerto Rican tiple, will not vanish into the mists of time. When did you build your first tiple? I built it in 1989 and I still have it; it’s in good shape. It’s traveled to Texas, Florida, and France, and it’s been used in recordings. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 3 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on July 8, 2024May 14, 2025 by Dale Phillips Ed Arnold: String-Tie Kind of Guy Ed Arnold: String-Tie Kind of Guy by Nicholas Von Robison Originally published in American Lutherie #7, 1986 and Big Red Book of American Lutherie, Volume One, 2000 Ed Arnold is a crew-cut and string-tie kind of guy. I met him while crewing aboard his son-in-law’s thirty-two foot sloop Iolaire on definitely not a crew- cut and string-tie kind of day. As a storm scudded down on us and I ejected my lunch off to leeward, I watched Ed go forward with the lithe grace of an athlete to hank on the storm jib on that bucking bronco of a foredeck. Ed turned sixty-seven in June. He’s the kind of guy you can picture being at home on a rugged wilderness trail or negotiating a mountain pass on a donkey, and making it look easy. In his sixteen years as an exotic wood importer I’m sure he has ridden a few donkeys and walked a few dusty miles. A one-man operation, he went into Mexico and Central America, selected his trees, oversaw their handling and production, then shipped them home by container. He knows wood in a way that few luthiers ever will, our work beginning with the end result of Ed’s labors. I obtained some answers to things I have pondered over from time to time and even some I haven’t. Anybody know the Mexican name for mahogany? Zopilozontecomacuahitl. Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 3 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.