Posted on June 13, 2024May 16, 2025 by Dale Phillips Fourth International Puerto Rican Tiple Conference Fourth International Puerto Rican Tiple Conference by C.F. Casey Originally published in American Lutherie #86, 2006 What am I doing here? I’ve never been a speaker at an international conference before! And it’s not in my native language! These thoughts raced through my head on the evening of February 11, 2006, as I sat at a long table in a restaurant in Mayagüez, Puerto Rico. Others present were my wife, singer-songwriter Kate Ferris; Tiple Conference founder José “Pepito” Reyes; and two dozen other Tiple Movement officials, conference organizers, speakers, and spouses. It was the pre-conference supper. It all started a year earlier, when American Lutherie editor Tim Olsen asked me to review a couple of books, one of which was in Spanish. As I had spent four years studying music in Mexico and still have a great love for the language, I was delighted. The book was El Tiple Puertorriqueño (see review in AL#81). In the course of writing the review, I needed the answers to a couple of questions and contacted author Pepito Reyes by phone. Thus began a correspondence that led to his inviting me to be a guest speaker at the Conference. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on June 1, 2021May 21, 2025 by Dale Phillips Trends: 1985 Lute Society Seminar Trends: 1985 Lute Society Seminar by Lawrence D. Brown Originally published in American Lutherie #3, 1985 The 1985 Lute Society Seminar in Oakland, Michigan, June 16-22, was attended by 50 students, 5 professional luthiers, 7 faculty, and 3 guest speakers. The students included serious amateurs, professional and semi-professional players, and rank beginners. They came from as far away as Japan, Europe, Canada, and England, providing a fascinating cross-section of players and instruments from around the world. Since many of those attending brought two or sometimes three instruments, a great many instrument makers were also represented. For me, as a full-time builder of lutes and other early instruments, it represented an unparalleled opportunity to examine the quality of instruments currently being made by a great variety of makers, and to identify any trends in playing techniques (which can greatly effect the mechanics of a musical instrument). Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010May 27, 2025 by Dale Phillips Review: 1996 & 1997 Luthier’s Art Review: 1996 The Luthier’s Art & 1997 The Luthier’s Art Reviewed by Woody Vernice Originally published in American Lutherie #55, 1998 1996 The Luthier’s Art & 1997 The Luthier’s Art String Letter Publishing 1996: 111 pages 1997: 141 pages, ISBN 1-890490-01-6 $19.95 per volume Available from Acoustic Guitar magazine These two lovely collections of instrument photos represent the participants of the Healdsburg Guitar Festivals of their respective years. Since the books came out well before the events, it’s obvious that the photos were submitted by the luthiers and weren’t taken at the shows. I’m sure the photos are better for it, but these aren’t necessarily the guitars you would have seen at the festivals. As one of the sponsors of the festivals, Acoustic Guitar magazine has tried hard to make the guitar a cultural icon and the festivals a matter of artistic importance. These books are compiled to look like gallery or auction catalogs. The layout is formal and the photographic reproduction very good. If the collection is biased towards Left Coastians, the books are more interesting for it. The progressives and weirdoes lend an air of excitement and airiness to the pages, though they may send some staid readers on a quick search for a Martin copy just to regain their balance. All in all, however, there seems to be a lot more luthiers happily chugging away within the tradition than pushing the envelope. This is a pretty bunch of instruments with enough ideas in either volume to keep any builder thinking for a long time. The photo spread is followed by a short biography of each luthier. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
