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A Case of Explosion Damage

A Case of Explosion Damage

by Keith Davis

Originally published in American Lutherie #15, 1988



In the course of operating a violin shop we have seen all sorts of typical and not-so-typical repair jobs come in, as every shop does. The average day brings a dropped soundpost, a broken bridge, some cracks and so forth. But we were recently called on to repair a series of problems in the instruments of the high school orchestra following a natural gas explosion .

On January 13, 1988 a leak in an underground line allowed gas to build up in the boys’ locker room and weight room of the West Iron County High School. When a coach flipped a light switch the resulting spark apparently set off the explosion, which injured approximately twenty students and staff. The orchestra had stored their instruments in a nearby room and the explosion and shock wave following it caused many of the instruments’ soundposts to either fall or shift position. It is our opinion that the position of the instrument at the time determined whether the post fell or was relocated. Several bridges broke, both violins and ‘celli being so affected. As a point of interest, no viola damage was reported.

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Wonders of the Lutherie World: Grand Guitar

Wonders of the Lutherie World: Grand Guitar

by Bob Banghart

Originally published in American Lutherie #21, 1990



Bob Banghart of Douglas, Alaska sent in this stunning photo by Laura Lucas. If Elvis has indeed lived before as an ancient Sumerian king (still The King, right?), this mysterious monument may be a signal to time-traveling extraterrestrials. Git-boxes of the gods.

If your travels to strange, faraway lands shrouded in myth and magic, like Tennessee, have revealed to you a Wonder of the Lutherie World, our investigative reporters stand ready to put the nation’s check-out lines to shame!

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Floyd

Floyd

by Nicholas von Robison

Originally published in American Lutherie #37, 1994



KERplunkit!

I reduced speed hoping the noise would go away, but no such luck. I had been traveling up US 395 from Los Angeles, and for the last half-hour I had not seen another vehicle, village, or even a gas station. Just dust, sage, and a few billboards. Then, RANDSBURG — 35 MPH. I dutifully slowed and glimpsing a hand-painted GARAGE sign, pulled over and shut her down in front of the big double doors. I squatted behind the left rear wheel and saw that the rubber bushing on the shock absorber had deteriorated and come off, so that the shock was metal-to-metal on the stud. Sensing a presence beside me, I turned, and was about six inches away from a pock-marked face with three days of salt-and-pepper stubble. He grinned — no teeth and purple gums. I caught a whiff of unwashed socks and potato skins. Another nanosecond and the potato smell registered as vodka.

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Jack Batts

Jack Batts

An interview by Jeff Feltman

Originally published in American Lutherie #10, 1987 and Big Red Book of American Lutherie Volume One, 2000



You can walk into a clockmaker’s shop and see fifty clocks. One reads 12:00, another says 11:55, another 12:05. Only one can be right, and it probably isn’t a bad guess that none of them is right. Searching for the right varnish is like being in that clock shop.”

“A man could make 150 more violins in his life if he wasn’t so worried about concocting some witches brew. He would do well to spend his time learning to make a fine violin.”

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Stalking the Wild Maple

Stalking the Wild Maple

by John E. Boser

Originally published in American Lutherie #33, 1993 and Big Red Book of American Lutherie Volume Three, 2004



Several years ago I opened a mail-order business without any particular purpose in mind except to offer some unique products. Because I grew up with a mysterious fascination with the violin, somewhere along the line I found myself making fiddles.

Since it was my intention to make my instruments affordable, I made them of cherry and various species of pine. The cherry is easy to carve, keeping my time per instrument down, and the pine was hand-selected from the local lumber store. With a few modifications in soundboard thickness, my fiddles performed to my satisfaction (almost). Next it was time to work on appearance; I was becoming a bit bored with the looks of straight-grained cherry.

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This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

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