Posted on June 6, 2024January 16, 2025 by Dale Phillips Questions: Mystery Guitar Questions: Mystery Guitar by Walter Carter Originally published in American Lutherie #99, 2009 Neill Pickard asks: Any idea who made this parlor guitar? It has a poplar top and no label. Both photos by Neill Pickard Walter Carter from Gruhn Guitars in Nashville, Tennessee replies: The “usual suspect” for any sort of inexpensive, unlabeled instrument from the 1920s and ’30s is Regal of Chicago. In the case of this instrument, the decal ornamentation suggests Regal or Oscar Schmidt of Jersey City, New Jersey. ◆
Posted on June 6, 2024May 28, 2025 by Dale Phillips Questions: Guitar Insurance Questions: Guitar Insurance by Cyndy Burton Originally published in American Lutherie #82, 2005 Garrett Burton of Portland, OR asks: I’m planning to pick up repair work from guitar stores and work in my home shop. I’ve been told I need insurance for the guitars when they are in my possession as well as liability insurance. What can I expect to pay per month? Cyndy Burton (no relation) of Portland, OR responds: The only business insurance I’m aware of designed for musical instrument businesses is Heritage Insurance Services (215-322-8705; his@heritage-ins-services.com; www.heritage-ins-services.com/national.htm). The cost will depend on many factors, but in my experience, it is reasonable and well worth it.
Posted on June 6, 2024May 28, 2025 by Dale Phillips Questions: Simple Instrument Plan Questions: Simple Instrument Plan by Tim Olsen Originally published in American Lutherie #76, 2003 Russell Lee from cyberspace asks: I have no lutherie experience and would like to purchase a plan for a simple instrument. (I know others who have experience and tools who can help.) Which of the bowed instruments for which you sell plans is the easiest to make? Or is some other plan (other than a bowed instrument) much easier? Tim Olsen, our fearless leader, responds: There is only one GAL plan that I would think of as easy to make. Many are simple instruments, but the plans may not include full instructions, or the subtleties of those instruments may not be apparent. So I'd draw your attention to GAL Plan #44, “True Companion” Travel Guitar by John Calkin. Fairly detailed how-to text is included along with several photos of the building process. No side bending is required. An article and reduced plan appear in AL#57. The plan can be ordered directly from our website at www.luth.org and an image of it can be seen at https://luth.org/instrument-plans/guitar-plans/steel-string-guitar-plans/#Plan44. ◆
Posted on June 6, 2024May 28, 2025 by Dale Phillips Questions: Orpharions Questions: Orpharions by Wes Brandt Originally published in American Lutherie #82, 2005 Lance N. Mearing of cyberspace asks: Who makes orpharions in the U.S.? Wes Brandt of Amsterdam, Holland replies: Unfortunately, I do not know of any orpharion makers in the U.S., but Stephen Barber and Sandi Harris (www.lutesandguitars.co.uk/htm/cat05.htm) are makers in London whom you may wish to contact. ◆
Posted on June 6, 2024May 28, 2025 by Dale Phillips Questions: Where to Get Mandola Plans Questions: Where to Get Mandola Plans by Don MacRostie and Jim Hoover Originally published in American Lutherie #77, 2004 Don MacRostie of Athens (aka Stew-Mac), Ohio responds to Thierry, Bernus Turner, and other's questions regarding where to get a mandola plan. Although I don't know of a plan for a carved-top mandola, the following figures taken from a signed ``Loar'' mandola and a teen's H-1 serial# 75585 should be helpful in proportioning your own from a plan like the F-5 plan from Stew-Mac or GAL Plan #26. Archings on these two instruments were very much like the companion mandolins, and plate thicknesses were essentially the same as for the mandolin. The H-1 had two transverse braces on the top, with the rear brace under the bridge. The Loar was tone-bar braced. The one slightly unusual point on the Loar mandola is that the peghead and the body scrolls were not scaled up with the rest of the instrument. They were basically the same size and shape as those details on the mandolin. The book, The Mandolin Manual: The Art, Craft, and Science of the Mandolin and Mandola by John Troughton is available from Elderly Instruments (www.elderly.com/books/items/542-62.htm). Also, AL#51, Questions column gives some useful information and dimensions. Several websites offer plans for flattop mandolas, though I have not actually seen them: www.touchstonetonewoods.co.uk/ttwp2.html secure.mimf.com/order.htm www.art-robb.co.uk/plans.html Jim Hoover of New Holland, PA adds: The book Making Stringed Instruments — A Workshop Guide, by George Buchanan (Sterling Publishing) has a clean, scale drawing of a flat-top mandola as well as drawings of six other instruments, including violin, viola, cello, mandolin, and classical and archtop guitars with step-by-step do’s and don’ts.
