Posted on July 1, 2022February 2, 2024 by Dale Phillips An Experimental Tenor Violin An Experimental Tenor Violin by Frederick C. Lyman, Jr. Originally published in American Lutherie #18, 1989 Building a musical instrument always involves making decisions. Even if the instrument is a familiar model that has been built many times before, the actual pieces of wood are unique, and require unique treatment. Obtaining predictable results, even such as might appear to be instances of mere routine uniformity, usually requires a surprising degree of conscious, intelligent control. In respect to quality of sound, the more an instrument is produced by an invariable automated process, the more variable and inconsistent may be the result. That is because we are dealing with subtle differences which add up. The more intelligence that can be applied to the many decisions that have to be made, the better the cumulative result can be. Of course, wrong decisions can also be made. This can happen easily when the project being undertaken is one-of-a-kind, where the lessons of past mistakes cannot be applied to the problems. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.