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Castles in Spain

Castles in Spain

Making a Classical Guitar with José Romanillos

by Stephen Frith

Originally published in American Lutherie #72, 2002 and Big Red Book of American Lutherie Volume Six, 2013



José and Liam Romanillos, with the help of Gerhard Oldiges, Tobias Braun, and Big Pep Milos, have shared their methods and ideas openly at a two-week guitar making master class each of the past two summers. I was lucky to be able to attend both sessions, held in the monastery of the Hermanos Maristas in Sigüenza, a medieval town in Spanish Castile. I couldn’t write down all that is available for the student at Sigüenza, but I will try to describe particularly the top-arching system. I used it in my own workshop for a year, then went back to find a few more pieces of the puzzle.

Imagine a flat top of European spruce about 2.5MM thick cut exactly with the long-grain fibers, and exactly quartered all across. This guitar top is cut so that it fits within the ribs, and is then adjusted to the flexibility required. The edges of the lower bout are thinned further again to a flexibility all of which reflects the description of the work of Torres in José’s book Antonio de Torres Guitar Maker — His Life & Work.

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Letter: Romanillos Seminar

Letter: Romanillos Seminar

by Stephen Frith

Originally published in American Lutherie #68, 2001

 

Dear Tim,

I joined the GAL a couple years ago, and this philosophy of openness, sharing, and frank exchange is right on the ball.

I saw a free ad in American Lutherie: “Master-classes in Spain, make a guitar with José and Liam Romanillos.” A chance of a lifetime? The Romanillos family hosted a fortnight working holiday, which was busy, friendly, happy, and constructive. Set in the Sigüenze hillsides, we were the comfortable guests of the Hermanos Maristas.

In the spirit of openness and sharing, José and Liam helped us consider each piece of wood, as we made our guitars. A quote: “If we know, we tell you.” Based on José‘s first successful instrument in the Spanish tradition of Torres, our work was guided with strategies and beliefs. Secrets don’t exist in good news. On the front bench were all the planning forms and construction templates needed to make a Romanillos and Son guitar, and copying of these was firmly encouraged. The method was straightforward, sensible, and uncomplicated, one that can be easily replicated in my own workshop. I’ve brought home my own Frith/Romanillos. Sounds great!

Speaking as an old London College of Furniture boy, I have to say the Sigüenza 2001 course was brilliant. The cost was reasonable, and returning next year for some fine-tuning would be exciting for a full-time luthier like me. I hope it runs and runs, there is always more to learn. It was great to meet members from all over: Texas, California, Canada, England, Switzerland, Germany, Belgium, Spain, and Japan.

Sigüenza 2002? Go for it! ◆

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They Eat Linseed Oil, Don’t They?

They Eat Linseed Oil, Don’t They?

An Adventure in Austrian Lutherie and Gastronomy

by Stephen Frith

Originally published in American Lutherie #77, 2004 and Big Red Book of American Lutherie Volume Seven, 2015



Last year my wife Sherrie and I took a working holiday in Austria. We met up with a small group of guitar makers to harvest some of the best European spruce available. The excursion to the sawmill of Christoph Kolbl in Aigen was organized by Tobias Braun. The picturesque town of Neufelden (Photo 1) could inspire many peghead designs. We began by gathering at the Hotel Mühltalhof for dinner, a nightly experience lasting two or three hours.

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This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

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