Posted on July 7, 2024October 1, 2024 by Dale Phillips Questions: Martin Finish Questions: Martin finish by Walter Carter Originally published in American Lutherie #104, 2010 Kerry Char from Portland, Oregon asks: Exactly what kind of finish were Gibson and Martin using before they switched to nitrocellulose lacquer? How was it applied, and when was the switch. I’m thinking that it was oil varnish similar to violin varnish, because it is resistant to acetone. But if that’s the case, how did Gibson do some of their sunbursts? I know that the earlier ones were rubbed, but later ones from the ’20s and ’30s look sprayed. Walter Carter from Nashville, Tennessee replies: Neither Gibson nor Martin made an across-the-line change from varnish to lacquer. Richard Johnston and Dick Boak note in their recent book, Martin Guitars: A Technical Reference, that Martin finishes were French polish (shellac) until 1918, when they began experimenting with different combinations of varnish and lacquer. Martin first used nitrocellulose lacquer in 1926, and by 1929 it was the standard finish on most Martin guitars. For Gibsons, Stephen Gilchrist offers this information: Become A Member to Continue Reading This Article This article is part of the Articles Online featured on our website for Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 3 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. MEMBERS: login for access or contact us to setup your account.
Posted on January 5, 2010March 11, 2024 by Dale Phillips Review: With Strings Attached: The Art and Beauty of Vintage Guitars by Jonathan Kellerman Review: With Strings Attached: The Art and Beauty of Vintage Guitars by Jonathan Kellerman Reviewed by Walter Carter Originally published in American Lutherie #101, 2010 With Strings Attached: The Art and Beauty of Vintage Guitars by Jonathan Kellerman ISBN: 978-0345499783 Ballantine Books 2008 Best-selling novelist Jonathan Kellerman is also well-known for his guitar collection, particularly his affinity for the acoustic Hawaiian guitars of Knutsen and Weissenborn. Photos of those guitars make up a significant portion of With Strings Attached, but there are plenty of other unanticipated highlights among the book’s 344 pages. We’ve all seen books filled with fine guitars from impressive collections. The photos of Kellerman’s guitars by Jonathan Exley are exquisite, and the book certainly lives up to its subtitle, The Art and Beauty of Vintage Guitars, on the strength of photos alone. But what sets this book apart are — just as you would expect from a novelist — the stories. Much of this reviewer’s work was done for him in the introductions by Andy Summers (guitarist with The Police) and Kellerman’s son Jesse (also a novelist) and Kellerman himself. Summers tells of a visit to the studio that houses the collection. “Jon began telling me about them,” Summers writes. “For every guitar, he had a great story.... Each guitar in Jon’s collection seemed to have a true and unique character, which — to me, anyway — is the mark of a great instrument.” Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
