Posted on January 12, 2010May 30, 2025 by Dale Phillips Review: Guitar Finishing Step-by-Step by Dan Erlewine and Don MacRostie Review: Guitar Finishing Step-by-Step by Dan Erlewine and Don MacRostie Reviewed by John Calkin Originally published in American Lutherie #61, 2000 and Big Red Book of American Lutherie Volume Six, 2013 Guitar Finishing Step-by-Step Dan Erlewine and Don MacRostie Stewart-MacDonald, 1998 ISBN 978-0964475236 The death of lacquer as an available finish was pronounced at least ten years ago. Because lacquer was so environmentally hazardous, the various levels of government were supposed to restrict its use to the point that manufacturers would find no profit in producing the stuff. Well, folks, it hasn’t happened, and lacquer remains the premier finish for most string instruments. If you’ve yet to have your first heady whiff of lacquer fumes, you should study Guitar Finishing Step-By-Step before you dive in. If your plans include the re-creation of the many factory guitar finishes, you should have this book regardless of your experience level. The book has a strange flow to it, though. There are only three stages of finish work — wood prep, finish application, and rubout. However, the plethora of tools and materials available today leave too naïve an approach open to confusion and failure. To avoid this, Erlewine and MacRostie rely on detailed description, technical information, and a degree of repetition to cover all the bases thoroughly. For instance, a description of power sanders is followed twenty pages later by a description of power sanding. Both sections include important and overlapping information. Readers who skip about in order to get on with their finish work will find themselves handicapped. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 12, 2010May 29, 2025 by Dale Phillips Review: Sunburst Finishing by Dan Erlewine and Don MacRostie Review: Sunburst Finishing by Dan Erlewine and Don MacRostie Reviewed by John Calkin Originally published in American Lutherie #63, 2000 and Big Red Book of American Lutherie Volume Six, 2013 Video: Sunburst Finishing Dan Erlewine and Don MacRostie Stewart-MacDonald, 1999 Sunburst Finishing is sort of a strange video in that it’s intended to replace Stew-Mac’s out-of-date Color Finishing, yet it doesn’t cover nearly as much territory as the older film. So be it. It only costs half as much as the old tape, and the information included may be as much as you need. The only guitar involved is an archtop Guild with a maple face. Some repair work has been done to the top before the tape begins, and the finish has also been removed. The job at hand is to match the sunburst on the top to that of the rest of the guitar. A yellow toner has to be mixed for the maple, then a brown candy is blended to match the color of the burst. The techniques of precision blending are the heart of the video, an operation at which MacRostie is a master. Chip sheets and blending boards are made which can be stashed away for future reference. The work is also referenced to the recipes in MacRostie and Erlewine’s new book, Guitar Finishing Step-By-Step (p. 530), which is a useful touch. There is no wood prep involved in the job (as far as the camera is concerned), as this video is intended to work in concert with Spray Finishing Basics, another video by the same dynamic duo. Touchups are necessary when the binding is scraped after the color coats, and the airbrush work is caught on tape. A close look at MacRostie’s scraping tools is a helpful segment. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 12, 2010May 28, 2025 by Dale Phillips Review: Assembling a Solidbody Electric Guitar by Dan Erlewine Review: Assembling a Solidbody Electric Guitar by Dan Erlewine Reviewed by John Calkin Originally published in American Lutherie #60, 1999 and Big Red Book of American Lutherie Volume Five, 2008 Video: Assembling a Solidbody Electric Guitar Dan Erlewine Stewart-MacDonald, 1999 Though Dan Erlewine and I are contemporaries, I can’t resist thinking of him as Uncle Dan. Through his writing, videos, and convention appearances he has spread his wide knowledge and undying enthusiasm for guitars across the entire population of luthiers and players, making him a sort of good uncle to our entire clan. Assembling a Solidbody is one of Erlewine’s more basic video lessons. In the first half he builds a guitar around a raw Strat-style body, and in the second, a finished Tele body hits the operating table to become a guitar. All emphasis is placed on doing clean work that anyone might be proud of, though a difference is made between how a pro might build a guitar from parts and how a kitchen-table luthier might be forced to handle the same job. Using this tape, the rookie ought to turn in as creditable a job as a seasoned guitar man. The raw body is left unfinished, as lacquer work is the subject of other Stew-Mac references. The Strat is assembled according to Fender specs, which is a useful touch, and there must be a hundred tips to help your work come out cleaner and more precise. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 12, 2010May 29, 2025 by Dale Phillips Review: Installing Transducer Pickup Systems by Dan Erlewine Review: Installing Transducer Pickup Systems by Dan Erlewine Reviewed by John Calkin Originally published in American Lutherie #65, 2001 and Big Red Book of American Lutherie Volume Six, 2013 Video: Installing Transducer Pickup Systems Dan Erlewine Stewart-MacDonald, 1999 The music stores for which I used to do guitar repairs used to sell transducers at a hefty discount, then charge a flat $25 installation fee. Their normal hourly rate was $33. It’s easy to put in a transducer in an hour or less. Making it function properly is another matter, and many of those guitars came back for adjustments that would never have been necessary had the time been granted to do the job right in the first place. This video is about doing the job right the first time. The guitar top is precisely jacked up to simulate string tension, the saddle slot is routed accurately and with a flat bottom, a new saddle is made, and adjustments are made to the bridge to correct the string angle as it comes off the saddle. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 12, 2010May 30, 2025 by Dale Phillips Review: Spray Finishing Basics by Dan Erlewine and Don MacRostie Review: Spray Finishing Basics by Dan Erlewine and Don MacRostie Reviewed by John Calkin Originally published in American Lutherie #61, 2000 and Big Red Book of American Lutherie Volume Six, 2013 Video: Spray Finishing Basics Dan Erlewine and Don MacRostie Stewart-MacDonald, 1999 This video is broken into two distinct segments, each of which covers the complete finishing process in its own manner. In the first portion, Dan Erlewine finishes an ash strat-style body in a Fender blonde color. This is a white finish that allows the wood grain to show through. In furniture work it’s usually called a pickled finish. In the second segment, Don MacRostie paints a bound alder tele-style body pink on the face and black on the back and sides. All colors are mixed in the shop from a clear lacquer base, and a good amount of time is expended demonstrating the process. Alder and ash require different prep treatments, and this is also a feature of the tape. Builders of acoustic guitars shouldn’t feel left out, since the color coats are followed by clear finish, and working with clear is the same, regardless of whether it goes over sealed wood or colored lacquer. The idea was to pack as much information into the allotted time as possible. The application methods used by the two men differed drastically. The three basic steps of wood finishing are wood prep, finish application, and sanding/buffing. It often baffles beginners to find out that if any step is less important than the others it’s the second, the application. The acquisition of a compressor and a quality spray gun hardly guarantees a good finish, but a talented luthier can do a good job with the unlikeliest gear. To prove it, Erlewine finishes his guitar entirely with aerosols. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
