The Articles Online feature is a library of out-of-print GAL articles available exclusively to current GAL members. Members: Login to read the entire article. Not a current member? Join or renew your Guild membership and your access begins immediately. Filter by Topic: All Topics+Classical Guitar+How-To+In Memoriam+Instruments+Luthiers+Reviews+Steel String Guitar+Violin Family+Why it Works+Woodaccessoriesbalalaikabanjobass electric flattop violbendingbindingbowbracing classical flattop otherbridge electric gluing guitar other violinbusiness ethics other promotioncasescellocomputersconstruction-step-by-stepdulcimer fretted hammeredelectronicsfingerboard fretboardfinish lacquer oil other shellac spraying varnish waterbornegluingguitar archtop baroque classical electric factories flamenco flattop harp other resophonicharpsichordhealthhumidityhumorinlayinstruments otherivorylutemandolinmeetingsmemoriamneckorganizationspegspeoplephilosophyphysics guitar math other violinplansrepair bridge crack neck otherrestorationreviewsrosetteschoolssharpeningskinsoundhole sideportstrings guitar other tension violinsyntheticstools clamps created hand jigs measuring other powertunerstuning temperamentukulelevihuelaviolviolinwood dealers hard other selection soft treesworkshopzitherOr Filter by Author Instead: Author Arched Plate Carving, Part One: Establishing the Outside Surface Arched Plate Carving, Part Two: Graduating the Top Plate and Cutting the f-Holes Arched Plate Carving, Part Three: Barring the Top Plate, and Graduating the Back Plate Three Flattop Acoustic Basses fall-winter-2025-american-lutherie-mobile-friendly In Memoriam: Ken Parker Reflections on Collecting Guitars Recreating the Lacôte Veneered Neck Marchione Fretting Techniques Donnie, Jim, and Me: A Tale of Three Shops Acoustic Guitar Repair: Bridge, Rod, and Pickguard Nissim’s Guitar Little Guitar of My Dreams Agustín Barrios: History of the Guitar Rewritten A Steel String Guitar Maker’s Journey Observations on the Topography of Spanish Guitar Soundboards Letters and more A Letter to Our Members It Worked for Me: Radiused Dishes It Worked for Me: Curly Koa Sides It Worked for Me: Cutting Tentellones 2016_0319900-127-Simpson-Worked It Worked For Me: Bandsaw Guides It Worked For Me: Nut Spacing Two Ancient Guitars It Worked for Me: Adapting Dreadnaught My Use of Glues in Repairing Musical Instruments Fluorescent Inspection Lamp Respacing the ‘Badass’ Bridge Resophonic Guitars Origins of the Mountain Dulcimer The Metaphysics of the Guitar Questions: Crystalac Calculating Fret Intervals with Spreadsheet Software Harvey Thomas and the Infernal Music Machine Making Kerfed Lining: A Huss & Dalton Shop Story Getting Good Inlay Results with Inexpensive CNC Routers Kit Review: Musicmaker’s Irish Bouzouki Partial Refrets Meet the Maker: Graham McDonald Next No more posts No more posts
