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Questions: Direct to Digital Pickup

Questions: Direct to Digital Pickup

by Brian Stewart

Originally published in American Lutherie #76, 2003

 

Joel A. Anderson, Port Allegheny, PA asks:

I have a computer program called Finale for Guitar. It permits me to enter notes and chords from the guitar directly into the computer by using the keyboard. I am looking for a MIDI pickup for my guitar so I can play a note or a chord and it will go directly into the computer in a digital format. Do you know of such a pickup?


Brian Stewart of Blue Springs, MO
answers:

Roland manufactures the GK-2AH for guitar, the GK-2B for bass, and the GK-KIG-GT for permanent installation into a guitar. I have played a Godin Multiac nylon with the RMC electronics MIDI pickup through a Roland GR-33 guitar processor that worked great. The web addresses are: www.rolandus.com; www.california.com/~bwagon/rmc2.htm. ◆

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Questions: Experimental Stringed Instruments

Questions: Experimental Stringed Instruments

by Bart Hopkin

Originally published in American Lutherie #87, 2006

 

J.B. from the Internet asks:

Do you have articles on “experimental” string instruments? I’ve been playing with guitar and bass strings stretched across different resonating bodies of various salvage materials. I knew a man in Montana that made a thing called the wind wagon; it was an old pioneer wagon frame made into a 50-string banjo. The resonator/body was an old dredge pipe reducer about 6' in diameter and the head was thin stainless stretched with a million bolts. It had a huge wooden bridge. He parked it on a windy hillside and it played itself, making an eerie Zen soundtrack oscillating sound that could be heard for miles. I was present when a guy from the Smithsonian recorded the maker playing it with hammers, bows, and other percussion implements. Have you heard of other artists doing similar research?


Bart Hopkin of Point Reyes Station, CA
answers:

There are many people in the USA and abroad making strange and wonderful musical instruments, stringed and otherwise, but it’s not always easy to find them. There are some good resources, though. I’ll plug my own first: If you go to www.windworld.com, you will have entered the world of Experimental Musical Instruments. For many years EMI was the home of a quarterly journal by the same name and devoted to just that topic. The journal is no longer active but back issues are still available along with books and CDs on unusual instruments and their construction. The other great resource is Oddmusic (www.oddmusic.com), a discussion group for unusual instruments and creative instrument making with a large and active following. And if you join Musical Instrument Makers Forum (www.mimf.com) you’ll find a section devoted to “Wind, Percussion, and Miscellaneous and Experimental Instruments” with lots of fertile ideas and good information.

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Letter: Replying to Binding Cutter Review

Letter: Replying to Binding Cutter Review

by Harry Fleishman

Originally published in American Lutherie #90, 2007



Dear Tim, et al.,

I must compliment you on the beautiful cover photos (AL#89). I couldn’t love it more if they were pictures of my own instrument. Seriously, thanks to Jon Peterson for making me look good.

Things got even better once I stopped admiring my own work and opened the issue... but not until I got through the very sad news of more luthiers we have lost. It’s simply hard to believe that these vital, generous people are gone, whom we saw and heard, learned from, played with, and shared with so recently.

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Review: Earl Scruggs and the 5-String Banjo

Review: Earl Scruggs and the 5-String Banjo

Reviewed by James Arial

Originally published in Guild of American Luthiers Newsletter Vol 2 #1, 1974

 

Earl Scruggs and the 5-String Banjo
Peer International Corporation
1740 Broadway, New York, N.Y. 10019

This book was published in 1968. It is a comprehensive study of the 5-string banjo including a very well written adn illustrated chapter on banjo construction. The seventeen pages in this section of the book describe all phases of construction except that of making a resonator. There is an excellent segment on inlaying using a unique technique of sandblasting to carve the recesses for fancy work.

The book’s $10.95 retail price might scare off the casual luthier, but if you’re interested in Scruggs type picking as well as banjo making it is well worth the price. The technique used by Scruggs is very clearly described in step by step procedure. Thirty-five of his best known songs are presented in easily read tablature. ◆

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Letter: Clarification of DVD review in AL#97

Letter: Clarification of DVD review in AL#97

by Ronald Louis Fernández

Originally published in American Lutherie #99, 2009



Greetings,

I thank Tom Harper for his review of my DVD, French Polishing for Guitarmakers 2.0 in AL#97. I wish to make a few clarifications.

My family’s Spanish guitar business in the 1960s never involved Manuel Rodríguez. Rather, we had dealings with Miguel Rodríguez of Cordoba as well as Manuel de la Chica (Granada), Arcángel Fernández, Marcelino Barbero, Felix Manzanero, Hernández y Aguado, Juan Alvarez, and José Ramírez III. My article “Miguel Rodríguez: Some Notes on his Family Tree and Correcting the Historical Record” in AL#68 (Winter 2001) tells about the Miguel Rodríguez family and mentions my dealing with them. In a footnote of that article, I specifically mention the difference between Miguel Rodríguez of Cordoba and Manuel Rodríguez of Madrid.

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