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Battery-Powered Instrument Amplifiers

Battery-Powered Instrument Amplifiers

by Joseph Ennis

Originally published in American Lutherie #69, 2002 and Big Red Book of American Lutherie Volume Six, 2013



After reading Francis Kosheleff’s description of building speaker enclosures which resemble instrument bodies, I thought I would offer my experience of what has worked for me. I have added battery-powered amplifiers and speakers inside instrument bodies to either augment the sound of a weak instrument like a harp or mandolin, or just to act as stage monitors.

The thing left unspoken in Mr. Kosheleff’s article is that not just any speaker will work well. The speaker should be chosen to match the instrument body resonance. The first air resonance of a hollow body instrument is essentially the same as the Helmholtz resonance of a tuned speaker cabinet. The same math applies. The formula is given below.

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The Two-Storey Dulcimer

The Two-Storey Dulcimer

by Roger Alan Skipper

Originally published in American Lutherie #101, 2010



I read John Calkin’s “Dulcimer 101” in AL#98 with interest, but with little expectation of practical application.

I’ve never built a dulcimer; I’ve never wished to build one (sung to the “Purple Cow” jingle). Within a month, though, my best customer and great friend Dr. Gerry Snelson asked me to do exactly that. Perhaps anticipating my reluctance to regress to such a basic instrument, Gerry came armed with photos of high-end dulcimers, video clips of accomplished players, and with his normal bundle of challenging demands and fresh ideas.

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Lutherie Binge?

Lutherie Binge?

by Dake Traphagen

Originally published in Guild of American Luthiers Quarterly, 5, #4, 1977



Well somehow I’ve survived my first but not last, European experience, which Tim Olsen dubbed a “Lutherie Binge” in Vol. 5, No. 2. From my perspective, I think the phraseology could be better put as a Life Experience Binge. After all, let’s not limit ourselves to being only luthiers; or at least if we want to view ourselves as being luthiers, let’s expand the term to encompass all other experiences which connect ourselves to our Luthiership.

So what about my European Experience? Ten hour jet flight, what a slow method of transportation; Galliards of royalty traversing the English countryside. While resting in the dark forest; was that a Hobbit or maybe an elf?

The Mediterranean’s salty, yet beautiful swimming; but where were the troubadour guitarists of Spain: only me expectations? A lot of flamboyant people and machine guns however... Majestic, cultured, the arts of Arts of western conception, if only one wouldn’t be so coined American; such is the way Paris... Oh yes! The ferry’s cooling rushing air and rolling boat with rain, sun, spray, and lovely people enjoying; except for a few green faces, but who knows, maybe they enjoyed being green.

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This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page.

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