Posted on January 13, 2010February 7, 2024 by Dale Phillips Violin Q & A: Cello Bridge Change for Projection Violin Q & A: Cello Bridge Change for Projection by George Manno Originally published in American Lutherie #10, 1987 and Big Red Book of American Lutherie Volume One, 2000 I have a good French cello that I just can’t get the sound to project from. The tone has a very fine quality, but it all seems to be locked up inside of the instrument. I have cut a new bridge and soundpost, but still it’s not anywhere near what it should be. Do you have any suggestions? Without seeing or hearing the instrument, I’m not sure what you mean when you say that the sound is “locked-up.” I’m only guessing, but it could be the strings, or the placement of the soundpost, or even the bridge. Did you spread the feet far enough when you fit it? I will tell you this, when I’m working on a cello that has a good strong tone but doesn’t project well, I’ll use a Belgian-style bridge. The higher arching of the feet always works for me. Try this and let me know.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Appraisers Reference Manual of Authentic String Instruments and Bows by Thomas E. Florence Review: Appraisers Reference Manual of Authentic String Instruments and Bows by Thomas E. Florence Reviewed by George J. Manno Originally published in American Lutherie #11, 1987 and Big Red Book of American Lutherie Volume One, 2000 Appraisers Reference Manual of Authentic String Instruments and Bows Thomas E. Florence M & M Distributing Company 2465 South Industrial Highway, Ann Arbor, MI 48106 $175, and $30 for yearly supplements The author’s death has put the continuation of this book in doubt (1999). If there is one book that will be useful to any violin shop or maker who does appraising, this is it! Thomas Florence has compiled a complete sectional directory of authentic violins, violin bows, violas, viola bows, cellos, and cello bows that have been sold in the major auction houses in the United States and England since 1980. Each section is in alphabetical order according to the maker for easy reference. Every entry informs the reader of the catalog lot number, type of instrument, maker’s name, year the instrument was made, selling price (in U.S. dollars), date of sale, and what auction house sold the instrument. The manual can also be used as a price guide for collectors. Yearly supplements will include information concerning that year’s past winter, spring, summer, and fall sales, keeping the manual current at all times. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Violin Set-Ups and Adjustments by Dan Erlewine and Paul Newson Review: Violin Set-Ups and Adjustments by Dan Erlewine with Paul Newson Reviewed by George Manno Originally published in American Lutherie #11, 1987 and Big Red Book of American Lutherie Volume One, 2000 Violin Set-Ups and Adjustments Dan Erlewine with Paul Newson VHS videotape (90 minutes) Stewart-MacDonald $26.95 from Stewart-MacDonald (1999) Teaching violin repairs from a television set! This first struck me as a most inane idea. My thoughts quickly changed after watching the first five minutes of this tape. Paul Newson is a fine repairman, and with Dan Erlewine’s commentary, this tape on violin repair and adjustments is a very good shop aid for a young luthier just starting out. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Italian Violin Varnishes by George Fry Review: Italian Violin Varnishes by George Fry Reviewed by George Manno Originally published in American Lutherie #7, 1986 and Big Red Book of American Lutherie Volume One, 2000 Italian Violin Varnishes George Fry Virtuoso Publishers, 1981 Out of print (1999) Any book on making violin varnish, I buy. Halfway through most, I find my money would have been better spent elsewhere. Not so with this well-written conglomeration of facts, recipes, and chemical analyses. A novice with a little experience in varnish making will be able to understand Mr. Fry’s sometimes complex theories. Mr. Fry goes into great detail explaining each and every experiment he made to obtain color, transparency, and consistency of the varnish he thought to be used 250 years ago by the great Italian masters. Unfortunately, some of the materials used in Fry’s experiments are more scarce now than when the book was first published in 1901. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
