Posted on January 14, 2010February 6, 2024 by Dale Phillips In Memoriam: Hart Huttig II In Memoriam: Hart Huttig II 1912 — 1992 by R.E. Bruné Originally published in American Lutherie #31, 1992 and Big Red Book of American Lutherie Volume Three, 2004 It is with great sadness that I report the passing of my good friend and mentor Hart Huttig II this past July after a long illness. No stranger to this journal, Hart was a selfless contributor since the inception of the GAL and his aficion for the guitar and its construction has been conveyed to all who have read his numerous writings. My first contact with Hart was in 1965, when his article “Guitar Construction from A to Z” appeared in Guitar Review #28. I had just begun trying to make guitars, and in those days, information was very hard to come by. His article was like manna from heaven, and lifted me up from the informational despair I was caught in at the time. Hart Huttig II in Arles, France at a Gypsy pilgrimage being received by the elder Gypsy of the clan. All photos courtesy of H.E. Huttig II. H.E. Huttig on his boat. Shortly after the appearance of that issue, I contacted him on the phone and was delighted to find he was also in the wood business, thus beginning not only a business relationship, but a lifelong friendship. Hart was an avid aficionado of flamenco, and made every effort to meet artists and invite them to his home. I fondly remember many a juerga in his front yard, where in the heat of inspiration, Hart would become so emotionally linked with the flamencos that he would tear his shirt off and cast it into the bushes. I will miss his paella Valenciana, his unique rajo cante jondo, but most of all I will miss Hart. He is survived by a daughter Beth, and his wife Rosa. H.E. Huttig's handwritten recipe for Paella.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Geometry, Proportion, and the Art of Lutherie by Kevin Coates Review: Geometry, Proportion, and the Art of Lutherie by Kevin Coates Reviewed by R.E. Bruné Originally published in American Lutherie #4, 1985 and Big Red Book of American Lutherie Volume One, 2000 Geometry, Proportion, and the Art of Lutherie Kevin Coates Oxford at the Clarendon Press, 1985 Out of print (1999) I have avoided reviewing books on the subject of lutherie in the past since most of them didn’t really merit reviewing. Books of the how-to type on the subject seem to find their market in spite of poor writing and illustration, lack of scholarship, and/or incompetence on the part of their authors. This book by Kevin Coates deserves mention for its total lack of any of the above shortcomings and really sits in a class by itself in terms of scholarship in lutherie in the English language. The book is a study of the application of geometry and proportion as understood by the makers of the Renaissance and Baroque Eras to their instruments. While this seems at face value to be a rather elementary endeavor, in fact it requires more than a superficial understanding of the principles of Euclidian geometry and the historical background of their application in the West, especially as they relate to lutherie. Consequently, one is very hard pressed to encounter ideas and writing on the subject in English from other sources, aside from a few articles on lutes and related instruments in the Galpin Society Journal by Friedman Hellwig and perhaps a handful of others. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
