American Lutherie #129
Spring 2017

On this issue’s cover we see James Condino opening the soundholes of a new mandolin top. The top and back plates are mounted with tiny screws to a test-bed consisting of a neck and a set of ribs and blocks.

Photo by Steve McElrath

American Lutherie #129 – Spring 2017

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Let’s Catch Up With Linda Manzer

by Cyndy Burton

The prolific maker of high-end flattop and archtop guitars talks about her mentors Jean Larrivée and Jimmy D’Aquisto, the lutherie biz, her design collaborations with guitarist Pat Metheny, and a recent art project in cooperation with other Canadian luthiers.

On this issue’s cover we see James Condino opening the soundholes of a new mandolin top. The top and back plates are mounted with tiny screws to a test-bed consisting of a neck and a set of ribs and blocks.

Photo by Steve McElrath

American Lutherie #129 – Spring 2017

$14.00$16.00

Clear
SKU: N/A Category:

Additional information

Choose Membership Status

,

129-back-500

On the back cover John Calkin quickly makes a ukulele from a lumberyard 2×4.

Photo by John Calkin

Voicing the Modern Mandolin

by James Condino

Condino has developed a clever process by which he can string and play a new mandolin very early in the building process. This makes voicing much more accurate, and it reduces the risk of using experimental materials and bracing patterns considerably. Must see to believe.

The 2×4 Ukulele

by John Calkin

Calkin says real lutherie can be fun, spontaneous, quick, and cheap. He makes a uke from a lumber-yard 2×4 to drive home the point.

The Monster in the Attic

by Fred Casey

When a neighbor brought in “Grampa’s old guitar” for Fred Casey to look at, he got a shock. The guitar was a whopper. Or more properly, a monster. That’s what Lyon & Healy called this very wide guitar. It was pretty well smashed, but soon it was put back in playing condition. Does this guitar make my hips look big?

GAL Instrument Plan #75: 1926 Gibson “Snakehead” A-Model Mandolin

by James Condino

It’s a clean, simple classic from the golden era. These are the working man’s mandos that Gibson was making while Lloyd Loar was busy making the fancy ones in the next room.

Meet the Maker: Dave Collins

by Steve Denvir

Dave Collins is a rising star on the guitar repair scene. Take a look at a couple of nice jigs he has developed; one for slotting saddles, one for regluing broken headstocks. Interestingly, he is in the same Ann Arbor third-storey shop previously tenanted by Herb David. Dave counts Dan Erlewine and Bryan Galloup among his mentors.

The New Generation of Granada Guitar Makers

by Lisa Hurlong

Lisa Hurlong is an American guitarist who moved to Spain many years ago. The guitar scene in Granada is rich and active. The various guitar makers have deep connections to each other that go back across decades of apprenticeships and partnerships.

Drawing Acoustic Guitar Body Outlines Using Traditional Techniques

by R.M. Mottola

Grab a piece of paper and a pencil. See if you can find that old plastic triangle. Mottola steps you through the process of actually drawing the outline of an Orchestra Model guitar. Keep a candle handy. If the power goes out you can keep working.

In Memoriam: Eugene Clark

by Cyndy Burton, Marc Silber, Brian Burns, Michael Gurian, Jay Hargreaves, R.E. Bruné, Jeffrey R. Elliott, and Federico Sheppard

Eugene Clark (1934-2016) was one of the earliest and most influential pioneers of the American Lutherie Boom. Grateful friends remember his early days in New York, his re-emergence in California, and his final phase in Tacoma. Read his memoriam.

It Worked for Me

by Kevin Rielly, Rick Rubin, and Paul Neri

A simple adjustable jig brings nut and saddle blanks to accurate dimensions in relative ease. Use firm packing foam sheets to clamp a bridge on a flattop guitar. A tiny digital caliper is made for use in the model-making craft.

Lutherie Curmudgeon

by John Calkin

Calkin’s manifesto of outlaw lutherie. Take it from a guy who has participated in making countless high-end guitars of fine materials: sometimes you gotta grab a hunk of cheap wood and let the chips fall where they may. You will soon have an instrument which offers a satisfying playing experience, for all its uncouth humility. Relax. It’s good for you.

Reviews: The American Violin

reviewed by Jeff Lee Manthos

A trained violin maker takes a thoughtful look at this luxurious picture book cataloging the fine violins of deceased

Questions

by Pete Daigle, Reg Beardsley, Andy Powers, RM Mottola, Mark Dalton, and John Calkin

List of guitar finishing services. Make water-slide decals with a laser printer. A description of how one could make traditional water-slide decals in the old-school way, that is, by silk screening. What is torrified wood and what are its good qualities? Maybe you can make something similar to torrified wood in a home oven. I said maybe. Don’t blame the GAL if you make a stinking mess. Or worse.