Posted on June 6, 2024May 23, 2025 by Dale Phillips Questions: Rebec Building Plans Questions: Rebec Building Plans by Cammie Mills Originally published in American Lutherie #97, 2009 Cammie Mills from the Internet asks: I am looking for the building plans for a rebec. Cammie Mills found the plans: Paul Butler offers a plan for the 3-string rebec (also known as a soprano) on his website. His page covers how he built one and gives a mildly detailed history of the instrument. The site in general is very informative. He also provides links to more information as well as a link to some music for the rebec and how it sounds. http://crab.rutgers.edu/~pbutler/rebec.html. ◆
Posted on June 6, 2024May 23, 2025 by Dale Phillips Questions: Vintage Strings Questions: Vintage Strings by Fan Tao Originally published in American Lutherie #91, 2007 Andrew Lines from the Internet asks: I am looking for information on original string types as fitted to early Orville Gibson archtops as well as 1920s and ’30s instruments such as the L-5, New Yorker, and Master 400. I understand that these were originally metal strung, pure copper or Monel wound, but can’t find any info on gauges or core-to-winding ratios. Fan Tao of D’Addario Strings in Farmingdale, New York, replies: I’ve asked Jim D’Addario and several other guitar players around here, and no one knows. They all say it was long before their time. We have historical information only on modern D’Addario products, (back to the 1950s). However, there is some information in the book D’Addario: The Player’s Choice: 1905–2005 by Baker Rorick commissioned by D’Addario in 2005. Chapter 2 starts: “Before WWII, most steel-core strings had been wrapped with copper, silver-plated copper, or ‘commercial bronze’ (90% copper and 10% tin and other alloys). Monel — the trade name for a nickel-copper alloy — became a popular wrap wire in the 1920s, and its high nickel-steel content also made it viable for use with electromagnetic pickups and amplifiers. John Sr. [he passed away in 2000], searching for a louder, brighter, stronger, and longer-lasting string, experimented with different alloys of copper and tin, and developed a formula using 80/20 bronze (80% copper and 20% tin, also called brass) windings over a steel core. Trying different core-to-wrap ratios, he used a lighter core than other string makers, which ended up being the key to a better sounding string.... One of the first people to recognize [their] superiority was John D’Angelico.... It’s not known when [they met], but it is known that by 1937 C. D’Addario & Son had begun supplying their new 80/20 bronze roundwound strings to D’Angelico....” ◆
Posted on June 6, 2024May 28, 2025 by Dale Phillips Questions: Gibson Firebird Plan Questions: Gibson Firebird Plan by David Riggs Originally published in American Lutherie #76, 2003 See also, Questions: Gibson Firebird Plan by Mike Doolin David Riggs of Joplin, MO answers Marc Vermeiren's question regarding acquiring a plan of a Gibson Firebird: I have several templates, having made a few Firebird-style instruments before Gibson started making reproductions in the ’70s. Anyone interested may e-mail me: titanicslim@yahoo.com.
Posted on June 6, 2024May 28, 2025 by Dale Phillips Questions: Metal Dobro Questions: Metal Dobro by Cyndy Burton Originally published in American Lutherie #82, 2005 Richard Davis from cyberspace asks: I would like to find a source for plans to build a metal Dobro, and the parts that I cannot make. Cyndy Burton of Portland, OR answers: The GAL doesn’t have a Dobro plan, but Stew-Mac does: www.stewmac.com/shop/Books,_plans/Plans.html. They carry parts, too. Also, you might check out www.beardguitars.com/blueprints.html for plans and parts. The Guild has published several articles on making Dobro or resonator guitars. Go to www.luth.org, select abstracts, and search for “\guitar\resophonic.” ◆
Posted on June 6, 2024May 23, 2025 by Dale Phillips Questions: Santuri Questions: Santuri by Peter Kyvelos Originally published in American Lutherie #91, 2007 See also, Questions: Santuri by Roger Reid Steven Bernstein from the Internet asks: In Zorba the Greek, Zorba played a Turkish instrument called the santuri. If you could point me toward a photo of it, or better yet plans and recorded music, I’d like to know more about what Kazantzakis, the author, was talking about. Peter Kyvelos of Belmont, Massachusetts, replies: The sandouri or santouri (most common English spellings) is an instrument of the hammered dulcimer type. They are common in Greece and are related to the much smaller Persian santur. Pictured is a sandouri built by Chris Pantazelos in our shop, Unique Strings. I know of no plans for the instrument. There are recordings that feature the instrument, such as Axion Esti, written by Mikis Theodorakis, composer of the soundtrack for the movie version of Zorba. ◆ Photo by R.M. Mottola See also, Questions: Santuri by Roger Reid