Posted on June 6, 2024May 28, 2025 by Dale Phillips Questions: Metal Dobro Questions: Metal Dobro by Cyndy Burton Originally published in American Lutherie #82, 2005 Richard Davis from cyberspace asks: I would like to find a source for plans to build a metal Dobro, and the parts that I cannot make. Cyndy Burton of Portland, OR answers: The GAL doesn’t have a Dobro plan, but Stew-Mac does: www.stewmac.com/shop/Books,_plans/Plans.html. They carry parts, too. Also, you might check out www.beardguitars.com/blueprints.html for plans and parts. The Guild has published several articles on making Dobro or resonator guitars. Go to www.luth.org, select abstracts, and search for “\guitar\resophonic.” ◆
Posted on November 1, 2022May 21, 2025 by Dale Phillips Little Dobro Little Dobro by John Calkin Published online by Guild of American Luthiers, November 2022 I bet that a lot of instrument makers don't know what their hourly wage is. I came with this idea for a resonator guitar with the idea of making a specific wage. The body, including the perforated ring that supports the resonator cone, was made of construction-grade plywood. The neck and fingerboard stock was sourced locally in bulk. The body hardware came from StewMac and the machines from Schaller. The textured paint required no work after it was sprayed from the can, though the necks were lacquered normally. The rosette was made of shark teeth that I got from my friend Cousin Al (who wasn't my cousin at all.) It was not difficult to price all the materials accurately. I timed myself as I made the first two of these guitars. I wanted to make $15 per hour, which was a good wage back then, and I probably made a little more after some practice. I sold them for $600 with no case. Everything was very business-like. Sometimes we forget that lutherie is a business and get lost in it without making enough money. ◆ All photos by John Calkin
Posted on September 9, 2020May 20, 2025 by Dale Phillips The Bluegrass Dobro The Bluegrass Dobro America’s Second Native Instrument by Bobby Wolfe Originally published in American Lutherie #5, 1986 and Big Red Book of American Lutherie, Volume One, 2000 There is a little ditty known as “The Duck Principle.” It says: If it looks like a duck, if it walks like a duck, if it quacks like a duck, then it must be a duck. Well, since the Dobro only looks like a guitar, and even in this respect with significant differences, and doesn’t qualify in the other ways, I say it’s not a duck. Seriously, in my opinion, the mechanically amplified instrument known as the Dobro does qualify as America’s second native instrument. This article is designed to acquaint you with the Dobro and to provide information on common repair and setup needs of the instrument. Today, in addition to the members of The Original Family building the original instrument, there are many individuals building their versions. Most of these people have their own ideas and opinions about what works best. Therefore, I am not presenting my ideas, experiences, and working practices as the “last word.” First, let’s define Dobro. It is a registered brand name that is now also used generically to describe most resonator-type guitars. The name comes from the Dopera (Dopyera) brothers. There are five Dopera brothers. There are five letters in Dobro. The word dobro means “good” in their native Slavic language. Take your pick! Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
