Posted on January 10, 2010May 30, 2025 by Dale Phillips Questions: Zero Fret Advantage Questions: Zero Fret Advantage by Steve Klein Originally published in American Lutherie #61, 2000 Greg Pacetti of Fairbanks, Alaska asks: Can you tell what the advantage is in having a zero fret at the top like on the Klein and Selmer guitars instead of a regular nut? Steve Klein of Sonoma, California responds: I feel the zero fret is the only way to have an open string and fretted string sound the same. I’ve found two other things I like about this arrangement: 1. By using a slightly higher fretwire for my zero fret, I can easily set the string height over the first fret for all the strings at once by filing the top of the zero fret down; 2. This also affects intonation by moving the string termination point forward. There are other articles that explain in more detail the reasons one might want to do that.
Posted on January 10, 2010May 28, 2025 by Dale Phillips Questions: Fret Shape and Tonality Questions: Fret Shape and Tonality by R.M. Mottola Originally published in American Lutherie #76, 2003 R.M. Mottola of Newton, MA answers Earles L. Mc Caul’s question regarding the effects of guitar fret shape upon intonation and tonality. The short answer is no effects whatsoever. There is a good (but highly technical) article on this subject by Steve Newberry in The Big Red Book of American Lutherie Volume Two, p. 106, “Fret Crown Radius: A Cause of Pitch Error?”
Posted on January 6, 2010May 20, 2025 by Dale Phillips Review: Violin Set-Ups and Adjustments by Dan Erlewine and Paul Newson Review: Violin Set-Ups and Adjustments by Dan Erlewine with Paul Newson Reviewed by George Manno Originally published in American Lutherie #11, 1987 and Big Red Book of American Lutherie Volume One, 2000 Violin Set-Ups and Adjustments Dan Erlewine with Paul Newson VHS videotape (90 minutes) Stewart-MacDonald $26.95 from Stewart-MacDonald (1999) Teaching violin repairs from a television set! This first struck me as a most inane idea. My thoughts quickly changed after watching the first five minutes of this tape. Paul Newson is a fine repairman, and with Dan Erlewine’s commentary, this tape on violin repair and adjustments is a very good shop aid for a young luthier just starting out. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010May 19, 2025 by Dale Phillips Review: Guitar Player Repair Guide by Dan Erlewine Review: Guitar Player Repair Guide by Dan Erlewine Reviewed by Manny Bettencourt Originally published in American Lutherie #26, 1991 and Big Red Book of American Lutherie Volume Three, 2004 Guitar Player Repair Guide Dan Erlewine Backbeat Books (originally Miller Freeman), 309 pp. ISBN 0-87903-291-7 (ISBN 0-87930-188-0) This book is a must-have! Published recently, Dan’s book is a very up-to-date reference source for anyone in the repair field. It is very comprehensive in scope and covers all the major areas of guitar repair with an emphasis on electrics. The author’s conversational writing style, combined with excellent photographs and drawings, make this book very enjoyable to read. Starting with basics like intonation and neck evaluation, Dan moves on to cover everything from finishing to refretting. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
