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Review: Getting a Bigger Sound: Pickups and Microphones for Your Musical Instrument by Bart Hopkin with Robert Cain and Jason Lollar

Review: Getting a Bigger Sound: Pickups and Microphones for Your Musical Instrument by Bart Hopkin with Robert Cain and Jason Lollar

Reviewed by Fred Carlson

Originally published in American Lutherie #74, 2003 and Big Red Book of American Lutherie Volume Seven, 2015



Getting a Bigger Sound: Pickups and Microphones for Your Musical Instrument
Bart Hopkin with Robert Cain and Jason Lollar
ISBN 0-9727313-0-X
Nicasio, CA: Experimental Musical Instruments, 104 pp., 2002
www.windworld.com

I know I’m not the only electronically challenged luthier who’s been waiting for someone to write an understandable, useful handbook on pickups, microphones, and instrument amplification. I’d been envisioning the author to be lutherie renaissance-man Rick Turner, who wrote the fine “Electronic Answer Man” columns for American Lutherie in years past. I know how busy Rick is, but I remain ever-hopeful that pressure from the lutherie community will drive him to it someday. In the meantime, another of my musical instrument heroes has come out with his take on such a manual, and I’m happy to say it goes a long way toward filling the void in useful introductions to this subject.

Bart Hopkins’ take on the adventure of electronically amplifying a musical instrument is undoubtedly coming from a different perspective than one from which a more guitar-oriented writer like Rick Turner would approach it. Bart has spent many years spearheading Experimental Musical Instruments, an organization devoted to interesting and unusual musical instruments of all sorts. For many years, EMI published a journal of the same name that featured all sorts of amazing stuff from the wonderful, quirky, experimental underside of instrument building. Bart did writing and illustrating for the journal as well as editing and publishing duties. He’s also an active guitarist and creative instrument builder/inventor with experience and interests covering a broad spectrum of the music world. Since EMI’s journal ceased publication in 1999, Bart has kept the organization alive as a source of back issues. EMI also offers recordings of many of the wild and wonderful creations featured in the journals’ pages, as well as several books Bart has written on instrument design and building. Recently the EMI catalog has added pickups and pickup components and materials to its stable of offerings.

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