Posted on January 11, 2010May 23, 2025 by Dale Phillips Letter: Passing of Hart Huttig Letter: Passing of Hart Huttig by Tom Peterson Originally published in American Lutherie #35, 1993 and Big Red Book of American Lutherie Volume Three, 2004 Dear Tim and gang, I came into contact with Hart Huttig through Charles Fox when I attended his guitar making school in 1976. I can still see those typed price lists of Allied Traders of Miami with the freighter or the Casa fundada en 1792 crest in the upper right corner. In ’76 or ’77 I went to see him at his daughter’s house south of San Francisco. I sought the advice of a winemaker friend on the best bottle of sherry, and headed off. I soon learned that I needn’t have worried about bribing him or ingratiating myself in order to pick his brain, for his warmth and generosity were immediately evident as we spent a delightful afternoon bantering about everything from Maccaferris to Martins while he kept his family waiting for him to come to dinner. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 11, 2010May 28, 2025 by Dale Phillips Review: Acquired of the Angels by Paul William Schmidt Review: Acquired of the Angels by Paul William Schmidt Reviewed by Linda Manzer Originally published in American Lutherie #59, 1999 and Big Red Book of American Lutherie Volume Five, 2008 Acquired of the Angels Paul William Schmidt Scarecrow Press, 1998 ISBN 1578860024 In the fall of 1983 I had the good fortune to be invited to study in the shop of James D’Aquisto. I confess that while I knew James D’Aquisto was a respected and famous archtop builder, I didn’t know the half of it when I walked through those doors the first time. As I worked side by side with him, listening to his stories, watching him work, and watching various characters in his life come through the doors of his workshop, I realized I wasn’t just at a workshop but I was witness to a very magical moment in guitar history. The tools, the woods, the layout of the shop, the music we listened to, the stories he told, and most of all his guitars, all were another world for me. These impressions were the groundwork for my own path as an archtop builder and for many other builders. So when I learned that Paul William Schmidt had written Acquired of the Angels: The Lives and Works of Master Guitar Makers John D’Angelico and James L. D’Aquisto I was very curious to see how his impressions would compare with mine. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 11, 2010May 14, 2025 by Dale Phillips In Memoriam: George Majkowski In Memoriam: George Majkowski 1929 – 2002 by Jay Hargreaves Originally published in American Lutherie #72, 2002 and Big Red Book of American Lutherie Volume Six, 2013 It saddens me to inform you of the passing of my good friend, colleague, and mentor, George Majkowski, on August 5th, 2002. Due to complications from treatments he was receiving for kidney disease, he succumbed to an infection that quickly overcame his already weakened heart. He died peacefully with family at his side. George was born in Poland. While in his teens during World War II, he was captured by the Germans and sent to a labor camp. Upon liberation by American troops, he was adopted by them and learned to speak English in three months. He then went to France, quickly learned the language, and was hired as an interpreter. He also worked repairing electrical motors. He enjoyed visiting the cabarets and hearing Django play. Guitar music became one of his joys in life. He immigrated to the U.S. during the Korean War and was drafted into the army. After the war he was given U.S. citizenship. He began his career at IBM and soon became involved in the installation of mainframe computers throughout the world. His reputation as a brilliant troubleshooter gained him the nickname “Magic.” It was during his travels for IBM that he met his lovely wife, Anna. Photo by Jay Hargreaves Always with him was his guitar. He studied flamenco and would play semiprofessionally, backing singers and dancers. After he retired from IBM, he turned his attention to building harpsichords and guitars. He attended Richard Schneider’s Lost Mountain Seminar for the Guitar in 1991, and built his first Kasha guitar within a year’s time. George became one of Richard’s assistants, bringing with him new ideas in construction and jig design. After Richard passed away in 1997, George was instrumental in a project which involved building ten guitars in tribute to Richard. George and I worked closely together, completing the last three of Richard’s commissioned guitars. When his health prevented him from being at his workbench, he continued to provide ideas and insight into his love of guitar making. George ol’ buddy, you’ll be missed.
Posted on January 10, 2010May 14, 2025 by Dale Phillips In Memoriam: Rob Girdis In Memoriam: Rob Girdis 1953 – 2009 by Rick Davis Originally published in American Lutherie #99, 2009 When Rob Girdis passed away the Lutherie community lost one of its most talented members. Rob learned the elements of his craft from Anthony Huvard in 1978–1979, staying on at Huvard’s Northwest School of Instrument Design for a second year as teaching assistant. He began his independent guitar making in 1981 and continued building custom instruments until his death. His guitars were notable for their perfection of detail and for Rob’s artistry in color and form. Rob never took the easy way — plates were thicknessed with hand planes, inlays were individually cut, and the materials for each commission were thoughtfully chosen. Each of his instrument stands as testament to his skill. Photo by Collicott Photo Illustration. He also left a circle of students who unanimously praise Rob for his patience and grace as a teacher, gently urging beginners in the art of sharp tools and critical eyes. Though he was a quiet, private person, he impressed his peers at guitar shows and lutherie meetings with his dry sense of humor and reflective approach. Rob was also an accomplished musician, enlivening music camps, sessions, and parties with his fine rhythm backup and occasional fiddle. More information about Rob and testimonials from some of his many friends can be found at www.girdisguitars.com.
Posted on January 10, 2010May 14, 2025 by Dale Phillips In Memoriam: David Minnieweather In Memoriam: David Minnieweather 1964 – 2009 by Veronica Merryfield, and David King Originally published in American Lutherie #100, 2009 David’s life’s passion was bass, both as a maker and an accomplished player — although he would say he just noodled. He started making bass guitars at middle school where his teacher instilled the concept of starting with a centerline, and of not building until it looked right on paper. David was largely self-taught, learning bit by bit from others’ advise and his own work. His basses were liked and respected by luthiers and players, ensuring his popularity at his regular NAMM appearances. “Thoughtful,” “genuinely complimentary,” “he smiled with his whole body,” “kind, well spoken, the kind of dude you could connect with immediately,” “an amazing person,” “a huge influence,” “a true gentleman,” are just a few of the comments made by players and makers. Whether you met him once, many times, or only on-line, he left a profound impression. I am going miss our get-togethers, where all things bass would be talked over, design ideas discussed and pulled apart, what players wanted and didn’t, why things worked or not. He was an inspiration, encouraging trial and experimentation. I am forever indebted and thankful for this, and will noodle as he directed. David, may your soul be truly at peace and noodling with the Great Maker. — Veronica Merryfield Photo by Jonathon Peterson. I always marveled at David’s musical ability. He once told me how he tried to learn all of Stanley Clark’s seminal solo album by ear in the 8th grade by going to the music store everyday and playing on a Kramer bass. I was also amazed by David’s ability to hear an instrument or a pickup and tell me what it sounded like when compared to other instruments from the near or distant past, where it excelled or was lacking. He had an instinctive understanding of how it would “sit in the mix.” His ability to listen extended to his many deep friendships. Always a quiet person, David would let an initial bluster in an often one-sided conversation blow over, but then redouble his concentration when you were finally getting around to the meat of your thesis. Our wide-ranging conversations were always punctuated with laughter no matter how dark the subject. As a luthier, David had a knack for finding extraordinary pieces of wood and melding them into something gorgeous. He loved fine details, frequently becoming so engrossed in his work that the passage of time was lost. He called one morning saying that he’d been up all night sanding the edge of a body. At dawn he realized that he’d removed more than a 1/4" of wood all the way around, but he was finally pleased with the results. When I suggested that he trace the shape and alter his template, he implied that it was only this particular instrument that had needed that quantity of sanding. David did most of his jointing and surfacing with a hand-held router, and the results rivaled the best that I’ve seen. His glue lines were immaculate, and his finishes were as flat and optically perfect as any that I have seen. David’s passion and his friendship enveloped and inspired me. For this I’ll be eternally grateful. — David King