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Build a Classical Guitar in a Week: Days Three and Four

Build a Classical Guitar in a Week: Days Three and Four by Robbie O’Brien from his 2017 GAL Convention lecture Originally published in American Lutherie #154, 2025   We’ll start Day Three by gluing on the fretboard, first thing. The fretboard blank is too thick, and I want to get closer to the specs that […]

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Magnetic Pickups: Physics, Math, and Electrickery

Magnetic Pickups: Physics, Math, and Electrickery by Veronica Merryfield Originally published in American Lutherie #154, 2025   At the 2014 gAl convention, I gave a talk on magnetic pickups to a packed auditorium where even the standing room was taken. At the end there was a Q&A session. Some attendees may remember that about the third questioner was […]

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Product Reviews: Super Assilex Flexible Sanding Sheets

Product Reviews: Super Assilex Flexible Sanding Sheets by Jon Sevy Originally published in American Lutherie #154, 2025   Super Assilex Flexible Sanding Sheet Finishing Starter Kit Super Assilex Flexible Sanding Sheets Eagle Abrasives www. eagleabrasives.com Finishing is probably my least favorite part of the guitarmaking process. I use a gloss finish, and getting there involves shooting […]

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Product Review: Wagner Orion 950 Moisture Meter

Product Review: Wagner Orion 950 Moisture Meter by Leonardo Michelin-Salomon Originally published in American Lutherie #154, 2025   Wagner Orion 950 Moisture Meter www.wagnermeters.com   Ages ago, I was asked if I wanted to review the Wagner Orion 950 moisture meter for the readers of American Lutherie magazine. I have now been using locally harvested timber (mainly spruce) […]

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In Memoriam: David Rodgers

In Memoriam: David Rodgers

by Jeffrey R. Elliott

October 14, 1933 – November 28, 2024

Originally published in American Lutherie #154, 2025

Photo by Cyndy Burton.

When I met Julian Bream in 1975, I was also introduced to his wonderful 1973 José Romanillos guitar which sported one of the first sets of Rodgers tuners ever made. I immediately recognized their superior quality and elegant aesthetic — they looked to me more like exceptionally beautiful and functional jewelry than tuning machines. David Rodgers had just established a new standard of quality in tuning machines, which remains unsurpassed today. He recognized that a set of tuners must not only perform well, but was also integral to the guitar’s aesthetic, and should complement it.

In 2010, my partner, Cyndy Burton, and I spent three days as guests of David and his wife, Muriel, in their home/workshop near Kirby Muxloe, England. David and Muriel were most welcoming and gracious hosts, and during that time Cyndy and I interviewed them for an in-depth “Meet the Maker” article, which appeared in AL#109, Spring 2012. While there we also met their likewise very talented son, Rob, and his wife, Sue, who soon afterward immigrated to Nova Scotia, Canada, where they continue the family business today.

Rodgers tuners have graced the heads of our guitars ever since I saw that first set on Bream’s Romanillos, and we became friends with David and Muriel early on. Since our 2010 visit, Rob and Sue have joined our circle, but, sadly, Muriel passed away in 2020.

David was a true gentleman, and a brilliant, talented engineer/inventor with a ready sense of humor, and we will miss him dearly. ◆