Questions: Vihuela Plans

by Alexander Batov, Sebastián Núñez, and Verónica Estevez

Originally published in American Lutherie #88, 2006



Chris P. from the Internet asks:

Can you help me find construction plans for a vihuela?


Alexander Batov from the UK replies:

Only four instruments can be considered as surviving representatives of the 16th- to early-17th-century vihuela tradition: a rather large, highly decorative instrument in the Jacquemart-André Museum; an anonymous vihuela Inv. No. E 0748 (otherwise known as ‘‘Chambure”) in the Cité de la musique (both in Paris); a vihuela by Belchior Dias, Lisbon 1581 in the Royal College of Music (London); and a relic altarpiece vihuela from the Iglesia de la Compañiz de Jesús de Quito (Equador). Until recently most modern reproductions were flat-back reduced versions of the Jacquemart-André instrument or simply drawn from existing vihuela iconography.

Both the ‘‘Chambure” and the Dias vihuelas* have a fluted-rib back construction, where each individual rib is bent simultaneously in two directions — a difficult technique for a first vihuela. However, the construction process can be simplified by substituting a vaulted or flat back. A number of mid-16th- to early-17th-century Iberian sources confirm the existence of vaulted and flat back vihuelas, with the latter seemingly most common and also serving as a trial-piece model in the examination procedure for the beginning violero (vihuela maker).