Web Extras American Lutherie #147 - Winter 2022 Page 8 - Meet Beau Hannam by Brian Yarosh Beau in the Gilet shop. All photos courtesy of Beau Hannam. Building his first guitar in 2003 with Darrell Wheeler. Gerard Gilet. First shop after Gilet; parents’ basement 2007. Beau and Laurie married in Aspen, 2014. President Carter uke (back). President Carter uke (front). Letter from Eddie Vedder. Duff McKagan (left) with President Carter guitar. Beau’s “Mum” in 1973. Page 42 - Meet Peggy Stuart by John Calkin All photos courtesy of Peggy Stuart. Peggy took these photos at the 1978 GAL Convention in Winfield, Kansas.From left: J.R. Beall, R.E. Bruné, Igor Kipnis. 1978 Convention: Jimmy D’Aquisto. 1978 Convention: Bonnie Carol. 1978 Convention: Hailstorm. 1978 Convention: Sunset after the tornado warning. Peggy’s paintings. (Photo 1 of 3) Peggy’s paintings. (Photo 2 of 3) Peggy’s paintings. (Photo 3 of 3) Peggy’s nature photography. (Photo 1 of 6) Peggy’s nature photography. (Photo 2 of 6) Peggy’s nature photography. (Photo 3 of 6) Peggy’s nature photography. (Photo 4 of 6) Peggy’s nature photography. (Photo 5 of 6) Peggy’s nature photography. (Photo 6 of 6) Guitar #1 (Photo 1 of 3) Guitar #1 (Photo 2 of 3) Guitar #1 (Photo 3 of 3) Guitar #2 (Photo 1 of 2) Guitar #2 (Photo 2 of 2) Guitar #3 (Photo 1 of 2) Guitar #3 (Photo 2 of 2) Guitar #4 (Photo 1 of 3) Guitar #4 (Photo 2 of 3) Guitar #4 (Photo 3 of 3) Guitar #5 (Photo 1 of 2) Guitar #5 (Photo 2 of 2) Guitar #6 (Photo 1 of 2) Guitar #6 (Photo 2 of 2) Peggy’s tatting work in progress using shuttles she made. Mandolin made at American School of Lutherie under the tutelage of Don MacRostie. (Photo 1 of 2) Mandolin made at American School of Lutherie under the tutelage of Don MacRostie. (Photo 2 of 2) A Genuine Vintage “Bruné Sander” If you eligible for Medicare, you are old enough to remember when thickness sanders were contraptions that luthiers had to build from scratch. Our very first issue in 1973 had a diagram of one, and our first hardback book, Lutherie Tools, had a lot of info about different ways of constructing them. Peggy Stuart built one and used it in the 1970s, as she says in her Meet the Maker interview. She still has it. Here’s current photos of the venerable gizmo along with informative captions. You’d be crazy to build one nowadays, unless you are the kind of person that enjoys restoring a Model T or making your own sauerkraut. Peggy posing with her Brune sander back in the day. In actual use she would be standing in front of the machine with her back mostly toward the viewer, pushing the wood under the drum. It might help to have another person finish pulling the wood through the sander if no sled is used. All photos courtesy of Peggy Stuart. This is the operator’s view of the Brune machine. The electrical outlet is for both the sander and the shop vac, which isn’t shown here. A flip of the switch turns on both machines. The sander is a scrounger’s delight as much of it was acquired used or for free. The deck is a counter top sink cut-out, already covered in Formica. You might find one for free at a cabinet shop. (Take the owner a coffee or a six-pack). It is hinged at the back end. The plywood hand wheel at the front raises and lowers the front of the deck and , thus, the amount of wood sanded at each pass. The drum was taken from a photo copier. It is off-set because it isn’t wide enough to sand an entire guitar top or back in one pass. By reversing the sled that holds the plate a second pass at the same depth setting will finish the job. The abrasive paper comes as a roll and is glued to the drum with contact cement. Use a heat gun to remove the abrasive when it is worn out or clogged with resins from exotic woods. These two side views may help you understand the layout of the machine. (Photo 1 of 2) These two side views may help you understand the layout of the machine. (Photo 2 of 2) Heavy-duty pillow blocks will keep the drum running true for a much longer time than simple hardwood blocks with holes drilled in them. If the pillow blocks come with grease zerks, use them! A used washing machine motor was used to drive the sanding drum. Notice in the side view that the pulleys have a one-to-one ratio. The frame of the machine was made of used 2x4s---not pretty, but free. The machine will probably be used infrequently, so casters were added to make it easier to move the sander out of the way between uses. By lowering the long threaded rods the sander can be lifted off its wheels during use. Long angle irons were used to reinforce the joinery of the frame. The hood of the dust collector is made from aluminum flashing, a standard hardware store item. It easily wraps around the arched end-pieces of plywood. Strips of wood reinforce the hood on the top and edges. Bathtub plumbing fixtures were used to make the hose attachment for the shop vac. Weather-stripping was added to the edges of the flashing to aid in dust collecting and to prevent scratching delicate guitar tops. (Photo 1 of 2) The hood of the dust collector is made from aluminum flashing, a standard hardware store item. It easily wraps around the arched end-pieces of plywood. Strips of wood reinforce the hood on the top and edges. Bathtub plumbing fixtures were used to make the hose attachment for the shop vac. Weather-stripping was added to the edges of the flashing to aid in dust collecting and to prevent scratching delicate guitar tops. (Photo 2 of 2) These end views of the hood should provide enough detail to make construction easier. The hood simply sits in position, though solid attachment is possible. It will not come close to collecting 100% of the dust, so personal protection gear is highly recommended. (Photo 1 of 2) These end views of the hood should provide enough detail to make construction easier. The hood simply sits in position, though solid attachment is possible. It will not come close to collecting 100% of the dust, so personal protection gear is highly recommended. (Photo 2 of 2) Page 52 - Ironing Out a Warped Guitar Neck by Michael Burton All photos by Michael Burton Page 64 - Accurate Resawing by Bob Gleason Photo by Bob Gleason Page 67 - In Memoriam: Jeanette Fernández by Ron Fernández At the 2011 GAL Convention in Tacoma (l to r): Ron Fernández, Jeanette Fernández, John Park. Photo by Mónica Esparza. Page 68 - In Memoriam: Rick Turner by Steve Klein and David Bolla Young Rick Turner, 1966. Photo courtesy of Rick Turner. Lecturing at the 1980 GAL Convention in San Francisco. Photo by Dale Korsmo. At the Healdsburg Guitar Festival, 2000. Photo by Jonathon Peterson. Lecturing at the 2004 GAL Convention in Tacoma. Photo by Jonathon Peterson. Rick Turner (left) at GAL HQ after the 2004 GAL Convention in Tacoma. Also in this photo: Tini Burghardt, Richard Glick, Todd Rose, Geza Burghardt, Cyndy Burton. Photo by Hap Newsom. Rick Turner was an active GAL author. Follow this link to see a complete listing of his articles. https://www.search.luth.org/tag/turner%c2%b8-rick/ An interview from 2007 on the NAMM website. https://www.namm.org/library/oral-history/rick-turner Story on Rick Turner Guitars website. https://www.rickturnerguitars.com/stories-father-boutique-guitars Beau Hannam Remembers Rick Turner I only met Rick Turner once, in Oct 2021, and I found him delightful. He greeted me with a hug. That surprised me; it’s not common for a guy his age on meeting someone for the first time. I admire flora drawings, and a few months prior I had commented on his post where he proudly showed his ex-wife’s book of trees with amazing illustrations by her (Eye Spy a Tree: Welcome to the Arboretum by Amber R. Turner). I guess he remembered that comment, as while we were talking in his office about guitar history and what we love in lutherie, he reached down and gave me a copy of the book. Unaware of his history with Alembic, the Grateful Dead or his Model 1 guitar, I first came to know Rick through his posts on various forums and Facebook and his often-forceful advice, particularly on the advocacy of the use of hot hide glue and epoxy. Indeed, his “glue list” remains an unequaled educational resource on which glues to use and where to use them. It is strange when a giant dies as it forces us to realize the importance of knowledge gained over a decades long career and that some of it is now lost. Looking back, I realize some of my fundamental building principles have been influenced by his teaching: His back-slanted saddle (about 7 degrees), carbon fiber in various areas, and his use of epoxy in building, especially for large surface glue-ups like fingerboards are all based on rock-solid common sense. He was forceful at times for the same reason any person who has been a luthier for decades is when they give advice to someone starting out in the industry who hasn’t yet the capacity for listening or learning. It is truly frustrating and something teachers have dealt with since the first sea creature crawled onto the land, looked back, and suggested to the second sea creature that they follow. But sometimes people, be they our children, friends, or strangers we try to give advice to, can only grow through pushing through a problem then seeing, acknowledging, and understanding the warned-about folly for themselves. Seeing, acknowledging, and understanding are the steps the mind needs to take and some people need to live them all fully. It is probably best to work through each step on your own, but being giving an Easter egg of advice which allows you to jump to the understanding part is a gift often not accepted, and rarely seen as the gold that it is. We are surrounded by fools gold on the internet. But Rick’s advice was always 24k. Since the advent of social media, I have seen a pattern. Lutherie and Life’s nuggets of wisdom are most often found not in systematically structured philosophical essays; they are found in what seems at first glance insignificant posts, in tiny ad hoc responses to a some other question, and in the beauty of a short, well reasoned and decisive answer to a seemingly unrelated topic. Search for the small things, in the big things. And vice-versa. Sayonara Rick. Don’t get epoxy on those heavenly clouds. Photo courtesy of Beau Hannam