Web Extras American Lutherie #144 - Winter 2021 Page 3 - Letters and More Stormbringer Narrow fingerboard to make a seven-stringed build handle like a six; per request. Thinner cut from the fingerboard to the back of the neck, radiused at 14". Hand-cut black mother-of-pearl design tilted at about 2 o’clock to fit on the fingerboard. Pixelated logo image airbrushed onto the guitar in shades of ultramarine and pearlescent azure. Mahogany trim rings. Slight inclination on the upper hook of the body prevents the guitar from shifting to the right during play. Page 6 - “Restomodding” Wall-Hanger Guitars by Roger Häggström The name of the original owner was “Edvin”. The sides are formed to the shape of the back with the back-gluing jig before gluing the loose lining. Making a new plum wood replica bridge. I use a Stewmac Martin-style pyramid bridge as a template for the height. In the middle and old Original Levin pyramid bridge and below the shaped plum wood piece for the new replica bridge. Photo 1 of 4 Making a new plum wood replica bridge. I use a Stewmac Martin-style pyramid bridge as a template for the height. In the middle and old Original Levin pyramid bridge and below the shaped plum wood piece for the new replica bridge. Photo 2 of 4 Making a new plum wood replica bridge. I use a Stewmac Martin-style pyramid bridge as a template for the height. In the middle and old Original Levin pyramid bridge and below the shaped plum wood piece for the new replica bridge. Photo 3 of 4 Making a new plum wood replica bridge. I use a Stewmac Martin-style pyramid bridge as a template for the height. In the middle and old Original Levin pyramid bridge and below the shaped plum wood piece for the new replica bridge. Photo 4 of 4 Drilling string pin holes in the finished replica bridge at a small angle. The “Edvin” guitar after restoration. Photo 1 of 7. The “Edvin” guitar after restoration. Photo 2 of 7. The “Edvin” guitar after restoration. Photo 3 of 7. The “Edvin” guitar after restoration. Photo 4 of 7. The “Edvin” guitar after restoration. Photo 5 of 7. The “Edvin” guitar after restoration. Photo 6 of 7. The “Edvin” guitar after restoration. Photo 7 of 7. Page 24 - Seeking the Holy Grail: Torres’ FE08, Part Two by Federico Sheppard Just a caveat here, one of the measurements in José Romanillos’ book was a typo. I was lucky to have access to a second set of measurements. Photo 1 of 2. Just a caveat here, one of the measurements in José Romanillos’ book was a typo. I was lucky to have access to a second set of measurements. Photo 2 of 2. Page 36 - Meet Robert Anderson by John Calkin Page 65 - Reviews: Vincente Arias (1833-1914), The Forgotten Luthier Reviewed by Kevin Aram 1874 1885 1899 1899
