Web Extras American Lutherie #142 - Spring 2021 Page 6 - Remembering Julian Bream by Cyndy Burton, José Romanillos, R.E. Bruné, Jeffrey R. Elliott, Kevin Aram, Gary Southwell, and Simon Ambridge Note from Julian Bream to Jeff Elliott, in Bream’s incredible handwriting. (Photo 1 of 2) Note from Julian Bream to Jeff Elliott, in Bream’s incredible handwriting. (Photo 2 of 2) Guitar made by Jeff Elliott and purchased by Julian Bream. Guitar made by Simon Ambridge and purchased by Julian Bream. (Photo 1 of 4) Guitar made by Simon Ambridge and purchased by Julian Bream. (Photo 2 of 4) Guitar made by Simon Ambridge and purchased by Julian Bream. (Photo 3 of 4) Guitar made by Simon Ambridge and purchased by Julian Bream. (Photo 4 of 4) Page 14 - The Charles Fox Guitar-Building Method, Part Four by Mark French Here is a photo of the guide block that holds the fixture at the tail end of the guitar. On page 21 of the article you can clearly see the function and position of the guide block, but you can’t see how it is attached to the guitar body. In this photo, you can. Page 22 - A Modern Venezuelan Cuatro by Luis Colmenares Page 30 - The Terz Guitar by James Buckland This guitar was built in 1819 and attributed to Carlo Guadagnini (1768–1816). The actual luthier was Carlo’s son, Gaetano II (to distinguish from his uncle, Gaetano I), who continued to use his father’s name and label until he began using his own design in the early 1820s. The unsigned label reads: “Carlo Guadagnini fece in Torino nell’anno 1819.” Maccari Pugliese collection. (Photo 1 of 3) This guitar was built in 1819 and attributed to Carlo Guadagnini (1768–1816). The actual luthier was Carlo’s son, Gaetano II (to distinguish from his uncle, Gaetano I), who continued to use his father’s name and label until he began using his own design in the early 1820s. The unsigned label reads: “Carlo Guadagnini fece in Torino nell’anno 1819.” Maccari Pugliese collection. (Photo 2 of 3) This guitar was built in 1819 and attributed to Carlo Guadagnini (1768–1816). The actual luthier was Carlo’s son, Gaetano II (to distinguish from his uncle, Gaetano I), who continued to use his father’s name and label until he began using his own design in the early 1820s. The unsigned label reads: “Carlo Guadagnini fece in Torino nell’anno 1819.” Maccari Pugliese collection. (Photo 3 of 3) Follow this link to read our online article “Rule of 18 vs Rule of 17.817” by James Buckland. Page 40 - The $75 Guitar Challenge by Doug Hunt and Mark French Page 52 - Side Bender and Body Mold Cut from One Sheet of Plywood by Terrence Warbey Page 55 - Tuning a Marimba Bar and Resonator by Max Krimmel Max in his shop explaining alabaster turning (2019) see max@maxkrimmel.com Max in the lab at the Frick Collection in NYC checking out a Clodian/LaPaute clock on the socle (base) he made for it. (2007) Max playing marimba with some buskers in Zimbabwe (2007) Max has been hanging around with fellow GAL author and dulcimer legend Bonnie Carol for the last several decades. Here’s some of the fun they have been getting into. Early morning, Salmon River. Max and Bonnie on the Great Slave Lake in 2020, anticipating the intersection of Celsius and Fahrenheit, that is, minus -40 degrees. Riding bikes near home in Nederland, Colorado. Page 62 - Reviews: José Luis Romanillos Guitars, The Guijosa Period, 1993–2015 by Josep Melo i Vall by Mónica Esparza
