Web Extras American Lutherie #126 - Summer 2016 Page 12 - Meet the Maker: Sebastián Núñez by Federico Sheppard Details of Sebastian’s instrument based on “the Cremona mandolin.” (Image 1 of 6) Details of Sebastian’s instrument based on “the Cremona mandolin.” (Image21 of 6) Details of Sebastian’s instrument based on “the Cremona mandolin.” (Image 3 of 6) Details of Sebastian’s instrument based on “the Cremona mandolin.” (Image 4 of 6) Details of Sebastian’s instrument based on “the Cremona mandolin.” (Image 5 of 6) Details of Sebastian’s instrument based on “the Cremona mandolin.” (Image 6 of 6) Lute forms (Image 1 of 2) Lute forms (Image 2 of 2) With the known Ururguayan guitarist Baltazar Benitez An old guitar with a flat top and an arched back, labeled Pasquale Vinaccia e Figli (Image 1 of 2) An old guitar with a flat top and an arched back, labeled Pasquale Vinaccia e Figli (Image 2 of 2) Willem Kroesbergen’s house in Utrecht, built in 1710. This photo shows Sebastian’s first room at this house, the downstairs corner. He moved there in August 1978. Willem Kroesbergen’s house in Utrecht, built in 1710.This photo shows the house after many years of restoration. Page 22 - Tales from the Soundhole: Guitar Repair Tips and Techniques by by Alex Glasser and Brian Michael Convention attendees try out the materials and make notes following the guitar repair workshop by Brian Michael and Alex Glasser (Image 1 of 4). Convention attendees try out the materials and make notes following the guitar repair workshop by Brian Michael and Alex Glasser (Image 2 of 4). Convention attendees try out the materials and make notes following the guitar repair workshop by Brian Michael and Alex Glasser (Image 3 of 4). Convention attendees try out the materials and make notes following the guitar repair workshop by Brian Michael and Alex Glasser (Image 4 of 4). Page 58 - Toothed Planes and Scraper Planes by Rick Rubin Tiny teeth, and the shavings they produce (Image 1 of 2). Tiny teeth, and the shavings they produce (Image 2 of 2). This Epiphone Seville from the 1930s shows marks a toothed plane under a back brace. Surfaces left by toothed planes (Image 1 of 3). Surfaces left by toothed planes (Image 2 of 3). Surfaces left by toothed planes (Image 3 of 3). Surface left by scraper plane.
