Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: The Luthier’s Mercantile Catalog for Stringed Instrument Makers Review: The Luthier’s Mercantile Catalog for Stringed Instrument Makers Reviewed by Frederick Battershell Originally published in American Lutherie #4, 1985 and Big Red Book of American Lutherie Volume One, 2000 The Luthier’s Mercantile Catalog for Stringed Instrument Makers The Luthier’s Mercantile P.O. Box 774, 412 Moore Lane Healdsburg, CA 95448 $19.50 + $3.50 (1999) If confession is good for one’s soul, then I must come forward and confess: I am an unabashed bibliophile! Yup! My library/bedroom is piled from floor to ceiling with books, catalogs, brochures, broadsides... anything at all connected (even remotely) with instrument making, music theory, cooking, philosophy, woodworking, boat building, toolmaking, and on and on. These are read and reread; each time they yield small portions of knowledge, personal insight, and genuine enjoyment. While I’m on the subject of genuine enjoyment, let me tell you about The Luthier’s Mercantile Catalog for Stringed Instrument Makers. Here is either a book that wants to be a catalog, or a catalog that wants to be a book. The staff at TLM deserve a loud bravo! for their combined efforts at getting this catalog together in a thoroughly enjoyable and readable format. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: The Workbench Book by Scott Landis Review: The Workbench Book by Scott Landis Reviewed by Robert Lundberg Originally published in American Lutherie #32, 1992 and Big Red Book of American Lutherie Volume Three, 2004 The Workbench Book Scott Landis Taunton Press, 1987. 248 pp. ISBN 0-918804-76-0 Even though this book was published several years ago and so is likely known to many of you, I thought it might be worthwhile to look at it specifically from a luthier’s point of view. It is clear from the first glance that The Workbench Book is a truly remarkable book which will be of great interest to anyone making things from wood or working with wooden objects. From the experienced woodworking professional to the neophyte, everyone will find this an interesting and intriguing resource which in my library has the privilege of sharing, with only a few other books, a spot on my reference shelf. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Guitar and Vihuela: An Annotated Bibliography by Meredith Alice McCutcheon Review: Guitar and Vihuela: An Annotated Bibliography by Meredith Alice McCutcheon Reviewed by Joseph R. Johnson Originally published in American Lutherie #9, 1987 and Big Red Book of American Lutherie Volume One, 2000 Guitar and Vihuela: An Annotated Bibliography Meredith Alice McCutcheon Pendragon Press, 1985 $64 from amazon.com In 1978 David B. Lyons published his book, Lute, Vihuela, Guitar to 1800: A Bibliography (Detroit Studies in Music Bibliography, 1978). Although the vihuela and guitar were included, the bulk of his information concerned the lute. There was not enough material in the book to satisfy the ever-growing need for information about the early guitar and vihuela. In 1980 James Tyler’s book, The Early Guitar: A History and Handbook, (London: Oxford University Press, 1980), was published, and it too only partially satisfied the need. What was needed was a bibliography that dealt specifically with the guitar and the vihuela. Ms. McCutcheon’s annotated bibliography is an attempt to fill that need. In her words, the bibliography “is intended to fill the need for an annotated reference tool for the study of the guitar and vihuela. It contains literature on composers, performers, theorists, music and analysis, iconography, and design and construction in both an historical context and in a technical one.” Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Steel-String Guitar Construction by Irving R. Sloane Review: Steel-String Guitar Construction by Irving R. Sloane Reviewed by David Riggs Originally published in American Lutherie #26, 1991 and Big Red Book of American Lutherie Volume Three, 2004 Steel-String Guitar Construction Irving R. Sloane Bold Strummer, 1990 ISBN 0-933224-19-2 This is a reissue of a book which was originally published in 1975 and was, at that time, just about the only widely available assistance for those aspiring to build a steel string guitar. In its new edition, it is virtually unchanged from its original incarnation and thus is as good or as bad as it used to be. Although some of the book’s information might appear a bit dated to our information-saturated eyes, it does contain at least one essential feature available nowhere else. The purpose of this book is to give a person with a few woodworking skills the information needed to build a first guitar, and Mr. Sloane successfully covers all aspects of this commission. Good, solid advice is given concerning selection of materials, design requirements, and the processes which will result in a satisfactory effort, whilst avoiding great expense for materials and special tools. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
Posted on January 6, 2010March 11, 2024 by Dale Phillips Review: Building a Herringbone Style Acoustic Guitar by Don MacRostie and Dan Erlewine Review: Building a Herringbone Style Acoustic Guitar by Don MacRostie and Dan Erlewine Reviewed by Dave Maize Originally published in American Lutherie #33, 1993 and Big Red Book of American Lutherie Volume Three, 2004 Building a Herringbone Style Acoustic Guitar Don MacRostie and Dan Erlewine Stewart-MacDonald Guitar Supply Shop Video tape, 90 minutes Building a Herringbone Style Acoustic Guitar is a 90-minute video sold by Stewart-MacDonald originally to accompany their Herringbone Guitar Kit. The kit has since been discontinued but individual parts are still available. The video guides the beginning luthier through the process of building a rosewood and spruce Herringbone dreadnaught. The video is well-organized, dividing its time between constructing the body, finishing and fitting the neck to the body, sanding and finishing and setup. The producers of the video have realized that the viewer may be building their one and only guitar. Therefore, they have successfully attempted to demonstrate the process using a fairly modest array of tools (razor knife, straightedge, chisel, coping saw, router, and a few clamps). In addition, the video avoids requiring the novice to build elaborate jigs just to get their first taste of lutherie. A clever heavy-cardboard inside form and outside U-shaped holder keep the rim in the correct shape until top and back are attached, avoiding having to build a more time-consuming outside mold. A nice feature of the tape is the use of a simply built, versatile workboard which is used in a variety of configurations throughout the process. Become A Member to Continue Reading This Article This article is part of our premium web content offered to Guild members. To view this and other web articles, join the Guild of American Luthiers. Members also receive 4 annual issues of American Lutherie and get discounts on products. For details, visit the membership page. If you are already a member, login for access or contact us to setup your account.
