Guitar Tattoos: Inlay Harry’s Way

by Harry Fleishman

from his 2001 GAL Convention lecture

Originally published in American Lutherie #74, 2003 and Big Red Book of American Lutherie Volume Seven, 2015



There are many paths from point A to point B. There are people in this audience who have done more and better inlay than I have. I’ll be talking about the thought process that I go through when designing inlay patterns. Of course, you should all do exactly as I do. Everyone else is wrong. I’m going to do a question-and-answer session, but it will all just be me. I’ll ask the questions and I’ll answer them. (laughter)

My first question is, “Why would one put inlay on a guitar?” Some of you who might be here to heckle, thinking that there’s no point in putting inlay on a guitar. You’re probably right. But I think one of the reasons that we might do it would be personalization.